VIEW IN MY ROOM
Untitled Cat. No. B1-106 Painting
Painting, Pastel on Paper
Size: 30 W x 22 H x 0.1 D in
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About The Artwork
My scale isn't the extravagance of the Abstract Expressionists. Working with pastel on paper has a much more intimate presence, although I think working with pastel does offer me the kind of expressive style that the A.E. painters had. I have Macular Degeneration, which hasn't hindered my painting abilities. They may have been enhanced. Edgar Degas said that his Macular condition had forced him to paint not so much as was in front of him but what he saw in his imagination. In my case, I found myself thinking in terms of microscopic and macroscopic visions, but not entirely. Ideas sprang to life through my internal vision. The fantasies between the real and the unreal come together fluidly. They are inventions of what may be percolating in our future, which is the story beneath the surface. Something is going on beyond our galaxy.
Details & Dimensions
Painting:Pastel on Paper
Original:One-of-a-kind Artwork
Size:30 W x 22 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I was born in Brooklyn, New York. In today's environment, there are a number of issues of great concern to me. Particularly, I think of the existential possibilities of the human race (i.e. climate change, political hostilities, racial animus, etc.). However it's not much fun to depict such themes without becoming voyeuristic or depressed victims ourselves. I prefer paintings that one can be comfortable viewing (like Tom Nozkowski’s work or the Dreaming paintings of Australian aborigines), while actively thinking positively. So when I began writing some genre screenplays, I wanted subconscious story to resonate with the viewer. I thought that intimate pastels would comfortably introduce dramatic elements without becoming offensive. The theme isn't overt. It may be suggested by the absence of humans or organic forms we can't recognize. Large acrylic paintings punctuate turning points in my ongoing vision.
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