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"Untitled I/25" Painting

Maros Rovnak

Slovakia

Painting, Acrylic on Canvas

Size: 27.6 W x 47.2 H x 1 D in

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Tu je skrátená verzia popisu diela, ktorá sa zameriava priamo na príbeh a pocit, bez detailného opisu. --- ### Description of Artwork This compelling painting delves into the complex journey of adolescence, capturing a moment of intense introspection and emotional transition. The subject, positio...

Year Created:

2025

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 47.2 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

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Need more information?

Maroš Rovňák (1972) is a Slovak artist. His work is characterized by an interdisciplinary approach. He also maintains a critical perspective on social issues. In his works, he often combines various media. These range from objects and installations to video art, sound art, and group performance. He explores themes of identity, power, and death. His well-known series of textile objects, Corsets (2001), denounces homophobic manifestations in social and political life. This series was included in the publication Queer!? Visual Arts in Europe 1969-2019 (2019). With this work, Rovňák became one of the pioneers in addressing LGBTQI+ issues in Slovak art. In recent years, the artist has intensively explored Western culture’s attitude towards death. He has processed this exploration in the monographic publication Islands of Nobody (2023). Additionally, he has presented it in several solo and group performances. He continues to devote himself intensively to topics related to the current status and history of LGBTQIA+ communities, which he has recently begun to explore in the medium of painting.

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Siting Wang, Associate Curator