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This series with 3 works was created spontaneously and from the inside out. White surfaces inspire me to enliven them with black brushstrokes, to cross them with lines and strokes to emphasize or even destroy randomly created forms. All this happens without any concrete intention, with the curiosity of what chance can create.
Not always does the accidental result correspond to the claim that the mind accepts. Then the work undergoes a revision until it satisfies my ideas. 
In modern ambience, at home or in offices, these works are suitable to be more than an eye-catcher - but a self-confident statement.
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untitled, Inv.Nr. 0486 Painting

Sylvia Galos

Austria

Painting, Acrylic on Cardboard

Size: 31.5 W x 39.4 H x 1.2 D in

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$2,210

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About The Artwork

Cardboard laminated on a wooden box. Sides painted in white. Signature on the backside. This series with 3 works was created spontaneously and from the inside out. White surfaces inspire me to enliven them with black brushstrokes, to cross them with lines and strokes to emphasize or even destroy randomly created forms. All this happens without any concrete intention, with the curiosity of what chance can create. Not always does the accidental result correspond to the claim that the mind accepts. Then the work undergoes a revision until it satisfies my ideas. In modern ambience, at home or in offices, these works are suitable to be more than an eye-catcher - but a self-confident statement.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:31.5 W x 39.4 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I start my paintings without an idea, without intention. Guided by impulses, images are created from spontaneous brush strokes that often remain in this form. Others experience change - diffuses become concrete, concrete abstract. An accent in a complementary color or a meditative Zen line finalizes the image after usually long pauses in processing and critical considerations. Often I calm the picture with white, so that only more fragments remain, but the layers underneath can be guessed. For me, painting means dealing with my innermost self: with feelings, doubts, longings and the complexity of my personality. I fight for the courage to follow my innermost self, which is always looking for something new and does not want to remain faithful to any style, only to itself. I would like to give the viewer the opportunity to search for traces and to find his individual associations and interpretations. Usually without a title, my paintings therefore give no indication of any associations. I feel lucky when my pictures become mediators of the unspeakable in conversation with the viewer.

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