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Painting, Acrylic on Canvas

24 W x 36 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$965

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This Art piece is inspired by the beauty of the African Hairdo and the bronze bracelet a lady wore the day I met her, I felt attracted to it.

Year Created:

2023

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 36 H x 1.5 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Nigeria.

Need more information?

Contact us.

Need more information?

Contact us.

Ayandare Adeniran Ayanmuyiwa

Ayandare Adeniran Ayanmuyiwa is a Nigerian contemporary visual artist based in Ibadan, Nigeria. His practice explores Yoruba identity, cultural memory, spirituality, resilience, and the complexities of human experience through painting and drawing.

Rooted in Yoruba visual culture, traditional symbolism, and everyday observation, Ayandare develops a contemporary visual language that brings indigenous references into dialogue with modern life. A recurring motif in his work is the Sekere, a traditional Yoruba musical instrument, which he reimagines as a symbolic representation of the human head. Through this motif, he reflects on identity, consciousness, memory, hope, and the enduring relationship between cultural heritage and contemporary existence.

His visual vocabulary also draws from Ori Olokun, African masks, nature, and personal experiences, combining symbolic forms with figurative and expressive approaches. Rather than simply reproducing traditional imagery, Ayandare seeks to reinterpret and transform these cultural references, allowing them to carry new meanings within a contemporary artistic context.

He studied Special Education and Fine and Applied Arts at the Federal College of Education (Special), Oyo State, Nigeria. He has participated in exhibitions and creative programmes in Nigeria and has facilitated art workshops.

Ayandare's practice is grounded in an ongoing exploration of how indigenous Yoruba visual language can be reimagined for the present—preserving the memory and significance embedded within the culture while creating new ways of speaking about identity, humanity, and contemporary life.

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