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Painting, Oil on Canvas

27.6 W x 39.4 H in

Ready to Hang

$2,420

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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This painting develops through a sequence of sweeping gestures, each one responding to what came before. Areas of blue, white, red and yellow accumulate, are scraped back and reappear, creating a shifting sense of depth and movement. The image emerges through the process rather than being planned be...

Year Created:

2023

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 1.6 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Contact us.

Need more information?

Contact us.
Tássia Bianchini

About the Artist

Tássia Bianchini

Netherlands

Born in Brazil and currently working in Europe, my painting practice is grounded in a decolonial and non-Eurocentric approach to abstraction. I understand painting not as a neutral or universal language, but as a situated form of knowledge shaped by body, environment, memory, and cultural experience.
My work explores abstraction as a practice of embodied perception and intuitive intelligence. Rather than illustrating narratives or concepts, I work through gesture, layering, and material processes as ways of listening to internal and external rhythms. In this process, intuition, sensation, and attention function as forms of knowledge that challenge Western hierarchies privileging rationalism and representation over lived experience.
Influenced by Brazilian artistic traditions, Indigenous-informed worldviews, and sensorial ways of relating to nature, I approach painting as a relational and temporal practice. Surfaces are built, dissolved, and reactivated, allowing time, vulnerability, and uncertainty to remain visible. The paintings unfold as perceptual environments rather than fixed images.
Through this decolonial perspective, I seek to question Eurocentric models of abstraction based on control, purity, and formal autonomy. Instead, my work affirms painting as a space of presence, interdependence, and embodied awareness, where perception and spirituality are inseparable from artistic research.

Recognition:

  • Artist featured in a collection

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