Visitation, No. 9 Painting by Norm Yip

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After the successful showing at The Other Art Fair New York 2018 with the sale of Visitation, No. 2, I decided to continue my work along this line. After struggling with several paintings, I finally felt I found the rhythm of what I had created in the original version. Dissecting my own artwork is not easy, as I had to review my own process of creating and destroying (covering up). This is the first artwork that I felt contained the right energy and vibrancy as Visitation, No. 2, but with it's own identity.
After the successful showing at The Other Art Fair New York 2018 with the sale of Visitation, No. 2, I decided to continue my work along this line. After struggling with several paintings, I finally felt I found the rhythm of what I had created in the original version. Dissecting my own artwork is not easy, as I had to review my own process of creating and destroying (covering up). This is the first artwork that I felt contained the right energy and vibrancy as Visitation, No. 2, but with it's own identity.
After the successful showing at The Other Art Fair New York 2018 with the sale of Visitation, No. 2, I decided to continue my work along this line. After struggling with several paintings, I finally felt I found the rhythm of what I had created in the original version. Dissecting my own artwork is not easy, as I had to review my own process of creating and destroying (covering up). This is the first artwork that I felt contained the right energy and vibrancy as Visitation, No. 2, but with it's own identity.
After the successful showing at The Other Art Fair New York 2018 with the sale of Visitation, No. 2, I decided to continue my work along this line. After struggling with several paintings, I finally felt I found the rhythm of what I had created in the original version. Dissecting my own artwork is not easy, as I had to review my own process of creating and destroying (covering up). This is the first artwork that I felt contained the right energy and vibrancy as Visitation, No. 2, but with it's own identity.
Detail of 葉灃 Signature
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Visitation, No. 9

Norm Yip

Painting

Size: 48 W x 48 H x 1.5 D in

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Showed at the The Other Art Fair

About The Artwork

After the successful showing at The Other Art Fair New York 2018 with the sale of Visitation, No. 2, I decided to continue my work along this line. After struggling with several paintings, I finally felt I found the rhythm of what I had created in the original version. Dissecting my own artwork is not easy, as I had to review my own process of creating and destroying (covering up). This is the first artwork that I felt contained the right energy and vibrancy as Visitation, No. 2, but with it's own identity.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1.5 D in

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Norm Yip (葉灃) was born in Canada in 1963 by Chinese parents. After studying fine art in Saskatchewan and architecture in Toronto, he moved to Hong Kong where began working as an architect. In 1999, he decided to transition into fine art and photography, following his deeper passion into his personal interests. He formed a collective called Melo-Melo Artist Alliance with several friends. It was then that his journey into art began. Oscillating between photography as a main source of income and painting as a hobby, he began to assert more attention and time to the latter. He has exhibited mostly in Hong Kong in group exhibitions, yet has recently exhibited in Zurich, Switzerland and The Other Art Fair in New York.

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