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Painting, Acrylic on Canvas
Size: 145.7 W x 86.6 H x 2 D in
Each of my paintings born from a story, a tale, a legend. Many of these ancient animal legends evoke a distant time when the soul of man and that of animal were one. Myths, by instilling respect for Nature, remind us that we know wild animals perfectly because they lived with us since very ancient times. For instance we were able to hunt in perfect harmony with the cheetah , which we adopted and trained to hunt with us, because we had seen in it an exceptional animal. We know how light and quick it is in the race, but little about the fact that it long black features that run down the inner corner of its eye to its mouth improve his vision by reducing glare from the sunlight. In Grecoroman mythology , Dionysus or Bacchus is seated on a cheetah. This god, who evokes the distractions of human beings, drunkenness, outbursts in orgies, he is the force of life that emerges beyond all limits, like wild nature. He is the god of autumn, of the harvest, of seasonal renewal. In my canvas he is evoked through the necklace of vine leaves in warm autumnal colors. 
 Volupia recalls in its title the lively pleasure of the our senses , soft and wild . She is very long, almost 4 meters. She occupies space as pleasures occupy our mind . We cannot escape or repress them. The background of the canvas was made using a square of painted wood and hammered directly onto the canvas. This repeated gesture is powerful and marks the linen in a aleatory fashion offering a vibration to the color , depending on how hard I hitten the wooden brick. Watchout then!
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:145.7 W x 86.6 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Bio Born from a Venetian mother and a Dutch father, Fosca enters adulthood with the enthusiasm of a twenty-something looking for answers to existential questions through the creation of a fantastic universe filled with curious anthropomorphic animals. These creatures seem to find their roots in the apocalyptic menace of certain Flemish paintings, tempered by the lightheartedness and refinement of an XVIII century Venetian carnival. Her drawings, executed with the meticulous and patient precision of miniaturist, or even a goldsmith are the alphabet to a secret language. If a universe created by an artist makes her prisoner of it signs, Fosca will surely find it difficult to forsake her zoological creations. Maybe one day someone will dare to explore the hidden depths of her imaginary universe populated by fantastic animals. For the moment, we prefer to simply admire her drawings, lost as Alice in her Wonderland, while Fosca alone holds the keys to penetrate her inner dreams. fabio carpi Italian director. screenwriter and author
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