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WITHIN THE DEPTHS OF THE SOUL Painting

Thierry Vobmann

France

Painting, Acrylic on Canvas

Size: 47.2 W x 36.6 H x 0 D in

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$3,740

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About The Artwork

Here is an intimate work, all in transparency, softness, and unsaid. It evokes the unfathomable and infinite depths of the soul. The color green is predominant there, a symbol of balance and rebirth. Touches of brown evoke energy. Dark swirls represent movement, as the soul is not static, it learns and evolves with life. The center of the canvas is bathed in a soothing golden light, the fruit of harmony between all the forces present. This minimalist work is an invitation to introspection and revitalization. The fabric will be delivered rolled up in a tube for maximum safety and an extremely reduced cost of transport compared to that of a frame. You can have it stretched on stretcher by your local framer, a three centimeter blank border of canvas being reserved for stapling. Dimensions painted: 120x93 centimeters Total dimensions: 127x100 centimeters. Thierry Vobmann is a professional artist referenced on several quotation sites. His works are present in many private collections, in about twenty countries. The artist has been selected and has participated in international art fairs, including Art shopping at the Louvre in Paris and Artexpo in New York. His works are published in several art books in Europe and the United States. Thierry Vobmann has won several awards for his work.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 36.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent. In his studio, he creates paintings on canvas and sculptures in wood and metal. For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of expressing everything that does not have a physical appearance such as sounds, smells, warmth, feelings, the wind ... He realized that finally most of the factors that govern our lives and our behavior were not visible but noticeable. Thierry's approach logically was to remove the image of the real to keep only the essential: the pure and universal emotion. During his first year of work in abstract expressionism as this style is commonly called, Thierry has developed his own style which is abstract but in which he slides as often as possible reminiscences of figurative techniques such as perspectives, shadows, lights. He constantly seeks the balance of volumes, textures, colors, movements in order not to disturb the expression of the feeling. His works are not smoothed. They are sometimes violent, colorful, and spicy, but always in order to accentuate the desired expressiveness. During this year of setting up, Thierry totally immersed in the construction of his art, declares that he began to make dreams he said “Sometimes, when I sleep, I receive as a message, a very precise vision of a work to paint. Everything is there, the visual, the title and regularly even the written description of the painting. So I wake up and look for paper and pencil to take notes or sketch because in the morning I will not remember anything. “ Thierry also states that it happened to him, when he was very calm and tired, because Thierry frequently paints at night, to make a painting that once completed, seemed totally foreign to him. He knew he had painted it but, his hand had been guided, at no time had he thought about what he was doing, he had done it. These dreams and the feeling of being assisted in his creation brought Thierry into the search for a universal energy, a vital energy that governs everything we know, that influences our life and our decisions. Thierry's evolution from the representation of the impalpable to universal energy has led him to the experience he is now leading. He seeks to voluntarily connect to these powerful external forces. This is what he calls "Blind painting experiment".

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