VIEW IN MY ROOM
Italy
Painting, Acrylic on Canvas
Size: 16 W x 20 H x 1 D in
Ships in a Box
Who would be king evaluation by Eliza Yacheva. This highly abstract painting depicts a human face with generalized features and a crown. It embraces the timeless shapes of geometric abstractionism - half and full circles and squares. Although the artwork shows total absence of a third dimension, a sense of sublimity and spirituality is achieved. There is a strong sense of the aesthetic Primitivism, the praise of African traditional masks and Iberian sculptures, which enhances the emotional and atmospheric value. The artist Dominic Cooper was inspired by William Shakespeare‘s play Richard III. The play depicts the Machiavellian rise to power of Kind Richard III of England who was considered as a Medieval tyrant. It is a historical drama and is based on real events of Richard III‘s reign. In the play, Richard decides to take the throne for himself by killing his brother Clarence, all noblemen who are loyal to the princes and also has the prince‘s mother‘s family arrested and killed. He also has his wife, Queen Anne, murdered. The play puts emphasis on his evil charms and how Richard III used language as a tool for manipulation. The artist‘s choice for predominant use of red is not accidental. It suggests the quantity of blood spilled in order to be crowned as a King.
Original Created:2016
Subjects:People
Materials:CanvasSoft (Yarn, Cotton, Fabric)
Styles:Expressionism
Mediums:Acrylic
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:16 W x 20 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born 1960 It is a fact that truth cannot be found in appearance, the genetically adapted eye with its restrictions reveals only the particular. Truth, for me, is more likely to be gleaned within the subject; in the form of intuition. My paintings are therefore intuitive diagrams which I then compose into paintings. The rock tombs of St Patrick's, in Heysham, Lancashire, provided a template for my simplified outlines, which are used not only within the pictorial structure but also as potent symbols of being and its temporal constraints. For me, painting has to be as 'authentic' and 'real' as the expanding universe we find ourselves in.
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