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"Wind nearby Aphrodite's bath" Painting

Natalia Baykalova

Russia

Painting, Oil on Canvas

Size: 39 W x 27.4 H x 0.8 D in

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Featured in the Catalog

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Featured in Inside The Studio

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About The Artwork

It was the most boring windy landscape. The painting of the place I wanted to visit one more time is dated with 2018. But I didn't like that piece of art just because it simply couldn't reflect all the emotions and drama I had being there. Originally this picture is from my trip to Cyprus. It's probably the most western point of the island located somewhere near Aphrodite's bath. Here in the trailer park, on the edge of the land, the wind was wandering. I've seen there the most beautiful sunset in my life, while the waves were crashing against the shore. This time I put that passion I felt. It's real now. "The outcasts" series of paintings There was a dusty cardboard folder in the furthest corner of my apartment. That folder contained a lot of my old canvases that were not demanded for years. Those pieces of art were simply rejected not only by customers, but also by creator. Myself. But in February 2020 they saw the daylight again and transformed to something new. And that gave me some kind of freedom I've been seeking for a long time. I really gave up on those canvases, but knew that in every picture there was a great idea. The point is that I couldn't simply set that idea right or make it understandable. I saw a chance. How often I've been stopped from expressive creating by expensive white canvas, untouched tubes of oil and my classical education, of course. I thought that some of my ideas are just waste of time and materials. But now I have those "dirty and rejected" canvases to make something I've always been afraid of. There was not a fear of blank paper that time, just the ideas to turn into practice.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39 W x 27.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

When you’re thinking of criticizing some piece of art, you’re automatically referring to the subject of form and content and the way they conform to each other. Speaking artistic language, it’s always a matter of representation and expression. Closely examining the works of Baykalova Natalia in chronological order, one can definitely see a noticeable tendency of simplifying the means of representation. Here and now the main part of the play is given to the personal point of view and private feelings; the drawer becomes the painter. With every step the author makes the more and more common and even canonic elements of art transform into innovative details. In the stead of predictable subdued palette here come completely fresh and unexpected combinations of colors. The canvas area grows deeper, spreading into a pulsing dimension, filling pictures up with air. Moreover, an intentional usage of such a vibrant and spicy palette and contrast, and also the mixture of texture and dynamics can undoubtedly refer this artistic endeavor to such a mesmerizing art style as fashion-painting. By the way, the exact style in fine-art is not only a perfect ground for creative experiments, but almost a guaranteed basis for commercial success. The further goes the painter, the more obvious becomes a fact of her search for some new forms of expression: the mixture of textures in some interior still-life paintings, the maximal simplifying of the subject for the sake of color or otherwise, intentional elaboration of some details. Reviewing the last works of Natalia in the style of «acid landscape» it may seem that she is loosing her «comfort skin» and is literally standing on the edge of something new and huge.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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