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Woman Crying in William's Studio Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Oil on Canvas

Size: 16.7 W x 20.5 H x 2 D in

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About The Artwork

Watch the videos on my YouTube page: https://www.youtube.com/watch?v=vs-gyLg7tTE&index=8&list=PLMXPSzDKAHguNOkRkAriud_5O0Q96mtMm Author: William Marquina Buitrago Title: Woman Crying in William's Studio Technique: Oil on canvas Dimensions: 52 x 42.5 cm (20,47” x 16,73”) Dimensions of the frame: 72.5 x 63 cm (28,54” x 24,80”) Series: Picasso copy Production date: May-August 2018 Description: This is a copy of "Crying Woman" made by Pablo Picasso on October 26, 1937, and which is the portrait of Dora Maar, one of her lovers. Both the work of painting the copy, and the frame itself and the canvas were made by myself: the canvas was made from raw lily and was pulled on a wooden frame in red cedar, including plaster, for which he used water-based synthetic paint, white calcium carbonate, talc, and PVC rubber; while the artisan frame is made of wood and stone plaster settings and painted in brown and bronze lacquer colors. The measurements of this copy are not the same as the original work of Picasso that is 60 x 49 cm. My intention for this copy was to experience the strokes of Picasso's cubist style in one of his most iconic and expressive portraits. The multiplicity and at the same time the simplicity of the brushstrokes that alternate in this portrait led me to discover an extraordinary alternate composition of lines, angles and surfaces that swirl and break in the face to deal with the subject of the woman's cry. The suffering that is expressed in his eyes like exorbitant canoes drifting, and the mouth and hands that break nervously add to the set of a face in full energetic outburst. The process was as follows: first copying in detail but with dimensions smaller than the proportion of the original with tracing paper. Then I used base colors for each of the areas of the silhouettes, looking to observe every detail of the chromatic variations to reproduce them with different brushes, sometimes with soft hairs, hard bristles, and various sizes. Finally, we proceed to control and correct the chromatic intensity through some glazes that add lighter or darker shades. I would like people to rediscover in this copy a reflection of Picasso. Keywords: Picasso, copy, copying, oil, original, cubism, canvas, Woman Crying, woman, Dora Maar, portrait, modern art.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:16.7 W x 20.5 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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