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Zuzu's Petals (Black & White Version) Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 24 H x 0 D in

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About The Artwork

Senior Angel : A man down on Earth needs our help. Clarence : Splendid. Is he sick? Senior Angel : No, worse. He's discouraged. George Bailey : Well, maybe I left the car up at Martini's. Well, come on, Gabriel. Clarence : Clarence! George Bailey : Clarence. Right... Clarence. George Bailey : Now, will you do something for me? Zuzu Bailey : What? George Bailey : Will you try and get some sleep? Zuzu Bailey : I'm not sleepy. I want to look at my flower. George Bailey : I know-I know, but you just go to sleep, and then you can dream about it, and it'll be a whole garden. Zuzu Bailey : It will? George Bailey : Uh-huh. Clarence : [hearing Nick's cash register ding] Oh-oh. Somebody's just made it. George Bailey : Made what? Clarence : Every time you hear a bell ring, it means that some angel's just got his wings. from ‘It’s a Wonderful Life’ (1946) Starring James Stewart (The Man Who Knew Too Much), Donna Reed (The Donna Reed Show), Lionel Barrymore (David Copperfield), Henry Travers (The Invisible Man), and Thomas Mitchell (Stagecoach). Screenplay by Frank Capra (Arsenic and Old Lace), Albert Hackett (The Long, Long Trailer), and Frances Goodrich (Gaby). Directed by Frank Capra (Why We Fight). It's a Wonderful Life is a 1946 American Christmas family fantasy drama film produced and directed by Frank Capra, based on the short story and booklet The Greatest Gift, which Philip Van Doren Stern self-published in 1943 and is in turn loosely based on the 1843 Charles Dickens novella A Christmas Carol. The film stars James Stewart as George Bailey, a man who has given up his personal dreams, in order to help others in his community, and whose imminent suicide on Christmas Eve brings about the intervention of his guardian angel, Clarence Odbody (Henry Travers). Clarence shows George how he, George, has touched the lives of others and how different life would be for his wife Mary and his community of Bedford Falls if he had not been born. Theatrically, the film's break-even point was $6.3 million, about twice the production cost, a figure it did not come close to achieving on its initial release. Because of the film's disappointing sales, Capra was seen by some studios as having lost his ability to produce popular, financially successful films. Although It's a Wonderful Life initially received mixed reviews and was unsuccessful at the box office, it became a classic Christmas film after it was put into the public domain, which allowed it to be broadcast without licensing or royalty fees. It's a Wonderful Life is considered one of the greatest films of all time. It was nominated for five Academy Awards, including Best Picture, and has been recognized by the American Film Institute as one of the 100 best American films ever made. It was No. 11 on the American Film Institute's 1998 greatest movie list, No. 20 on its 2007 greatest movie list, and No. 1 on its list of the most inspirational American films of all time. Capra revealed that it was his favorite among the films he directed and that he screened it for his family every Christmas season. It was also Jimmy Stewart's favorite film. In 1990, the film was designated as "culturally, historically or aesthetically significant" and added to the National Film Registry of the Library of Congress. Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897 – September 3, 1991) was an Italian-born American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified." Capra became one of America's most influential directors during the 1930s, winning three Academy Awards for Best Director from six nominations, along with three other Oscar wins from nine nominations in other categories. Among his leading films were It Happened One Night (1934), You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939); Capra was nominated as Best Director and as producer (for Academy Award for Best Picture) on all three films, winning both awards for the first two. During World War II, Capra served in the U.S. Army Signal Corps and produced propaganda films, such as the Why We Fight series. After World War II, Capra's career declined as his later films, such as It's a Wonderful Life (1946), performed poorly when they were first released. In ensuing decades, however, It's a Wonderful Life and other Capra films were revisited favorably by critics. Outside of directing, Capra was active in the film industry, engaging in various political and social activities. He served as President of the Academy of Motion Picture Arts and Sciences, worked alongside the Writers Guild of America, and was head of the Directors Guild of America. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 24 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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