VIEW IN MY ROOM
Germany
Painting, Oil on Canvas
Size: 58 W x 59 H x 17 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
from a series of four images, which together seen as one deludes the viewer from the attempt of mirroring Every image, which I select from within as it occurs in my own painting, photography, video or text has a potential of performance. The absence of actuality or the presence of the imagination is the necessary dynamic for the process when performance is about to happen. Process here is potential being, as matter is in its undetermined state. Form or shape can only be determined temporarily by its descriptive nature. I feel, it is possible to patiently attend to the released form without the intellectual determinism to recreate a presupposed image or reiterate a known language. Each time during the process, the work carries its ‘own’ context, for it releases its own potential.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:58 W x 59 H x 17 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
lives in Braunschweig, Germany Werftraum Atelier for Art and Performance Art works in Braunschweig, professional artist previous senior lecturer in London introducing performance art workshops, realising transitstation, international exhibition as Event since 2003, (www.transitstation.de). London 2003, Berlin 2005, Edinburgh 2006 and transitstation Copenhagen in 2010, collaboration with the Royal Danish Academy. The work negotiates the incomprehensible complexity when being surrounded by objects of sensory stimulation, and the attempt of grasping attention to any one source can often be accomplished only with great difficulty. The studio space is Werftraum (ship yard) and is associated with translucent and imagined spaces in the mind. The reflection of these locations appears to place and reflect gathered and experienced objects. They become the instruments, which participate in the orchestration of unexpected tunes. The fine-tuning is a crucial process which tends to present the ambiguity and where the work begins and ends remains purposely unresolved thus the potential of change and transition continues to take place. With the accumulation of its particular parts, one is forced to combine and relate certain meanings and presuppositions only to find that the bigger picture is hardly suggested and it stays fleeting, escaping the desire to make sense as a defined whole. The question governs my work. www.dagmar-glausnitzer-smith.com homepage www.werftraum.org art project online site www.transitstation.org art project/event site
Artist featured by Saatchi Art in a collection
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