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"untitled" Painting

→ Andreas Wolf, Germany

Painting, Watercolor on Paper

32.5 W x 27.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,255

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


In 2018 Andreas Wolf began a series of works in which he transfers the pictorial language of his oil painting to watercolors. In contrast to his large-format paintings, the watercolors are derived from drawings. The surfaces are painted and do not mean over painted. As a result, the pictures appear ...

Year Created:

2019

Subject:

Mediums:

Painting, Watercolor on Paper

Rarity:

One-of-a-kind Artwork

Size:

32.5 W x 27.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

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Andreas Wolf

About the Artist

Andreas Wolf

Germany

Abstract painter living in Berlin.

The object of my non-representational work is developing complexly structured pictorial spaces. Every painting starts from a blank canvas; there is no preconceived idea, concept or strategy and there are no titles for the finished paintings. The starting point is the first colour patch, point or line, to which I then react with corresponding or contrasting patches, lines or points.

In painting I try to find that moment, in which openness and the definitive are balanced. Each and every single element of the picture should interact with all of the others. I try to set focal points or emphases, but these should never overpower the equilibrium of ambiguity. The painting is finished, if and when it resists an immediate comprehension, but offers at least one or a few different ways of perception or interpretation. For me it is interesting to note how I myself react to the picture’s visual structures; somehow on a physical level, like intuition, and it’s interesting to notice how paintings sometimes ‘work’ and sometimes don’t.

The finished picture is a kind of chronicle of its own creation – an ongoing process which continues in the next painting, with the experience gained during development of the previous one.

The pictorial elements do not depict anything specific but instead represent the concept of process.

The overreaching idea of my paintings is the question: how human beings perceive abstract images and how orientation in complex pictorial structures functions.

Recognition:

  • Artist featured in a collection

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