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To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.
To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.
To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.
To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.
To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.
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Alexis Painting

Christian Kabuß

Germany

Painting, Gesso on Wood

Size: 39 W x 30.3 H x 1.2 D in

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Originally listed for $3,470
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305 Views
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About The Artwork

To me, last year's very discovery was a new technique of painting. Intended as an opening performance for the production of four panel paintings about the physical and phenomenological aspects of hiking, touring and saving our world, I dragged a well primed wooden panel along next village's asphalt road. Then—I didn't stop, dragged it to the local cider press and worked out something ancient about the helper there, a good man, a mythological figure, a relief, a wonderful work. Alexis—Greek for helper—is his name. The painting is age-old and new, reduced and dense, one of my favorites.

Details & Dimensions

Painting:Gesso on Wood

Original:One-of-a-kind Artwork

Size:39 W x 30.3 H x 1.2 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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