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In the realization of my works, employment the method of flexography that Rorschach used to create their psychological analysis test.
The paint is left to flow, there are no reasoning when running one of my paintings, the action of folding a part of the fabric on another is rather guided by intuition.
When I start one of my works, I like to apply drip paint due to the spontaneity that this technique brings from the beginning, so I can make sure my intuitive nature to create, instead of a logical reasoning that controls everything.
There are extraordinary things in the shapes and color of a painting that inspires you the memory of something diffuse in your life, and that you just can interpret.
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Apperception #58 Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Canvas

Size: 29.9 W x 13.8 H x 1 D in

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239 Views
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About The Artwork

In this series of numbered paintings and titled all as "Apperception", I inspire in a class of visions that are given "spontaneous" in a similar way to what happens when we face a Rorschach test. What the observer experiences in these tests are the apperceptions, the kind of images that come from subconscious, as a product of experiences of the past in life and that the observer projects in each image. In my paintings I do not work specific topics, simply left the free interpretation and narrative of the public when it faces my works, because in an analogous way the progress of the Rorschach test does not represent on issues and that is why the psychologist is able to ask his patient: what do you see? This painting has no decorative frame.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:29.9 W x 13.8 H x 1 D in

Number of Panels:3

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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