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American Kouros #1 - Limited Edition 10 of 25 Photograph

Sasha Meret

United States

Photography, Color on Paper

Size: 19 W x 13 H x 0.1 D in

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About The Artwork

“What is beautiful is loved, and what is not is unloved,” wrote the ancient Greek poet Theognis, encapsulating the reverence for youth and physical and moral beauty in Archaic Greece—a reverence that carries through to 21st-century American culture, albeit in different form. In Archaic Greece, the kouros figure, a standing male youth of perfect proportions, was the physical embodiment of this worldview. Displayed as dedications to the gods in temples and as grave monuments, the kouros and its ideals serve as inspiration for contemporary mixed-media artist Sasha Meret, who has transformed the African-American albino supermodel, Shaun Ross, into an archetype of youth, beauty, and nobility for our time, in a new series of photographs on view at IFAC Arts, in “Sasha Meret: American Kouros.” Shot in color and black-and-white against an inky-black background, Shaun Ross appears as an otherworldly being, at once flesh and stone. The pale softness of his bare skin is offset by the props he wears or holds: birdlike head and shoulder pieces and masks, a snakelike ring, and a fat, tropical flower, all composed of metal or plastic cutlery and kitchenware. In American Kouros Four (2014), his head and half of his face are engulfed in an exuberant headdress of glinting silver knives, spoons, and bowls. He arches forward, one arm bent back like a bird’s wing, as if he is about to take flight. A circle of spoons, like reptilian scales, rings his body in American Kouros Eight, Fourteen, and Fifteen (all 2014), offsetting his lean, angular musculature and smooth skin, and cleverly referencing the circular lens of the camera that takes his picture, out of viewers’ sight. In American Kouros Nineteen and Twenty (both 2014), he cradles a lush flower composed entirely of plastic forks and spoons, his body powdered and lit to match the plastic’s bright whiteness, effectively complicating perceptions of his race; is he black, white, both, neither? The Greek kouros, too, was colorless, as well as identity-less. It was not a portrait of a specific individual, but of an ideal. By emphasizing the formal qualities of Shaun Ross’s physique, Meret transforms him from a unique, well-known individual into a symbol of 21st-century aesthetic ideals, and their beautiful complications.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:19 W x 13 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Award winning multi-media artist Sasha Meret was born in Romania in 1955, of Romanian and Russian parents. In his early years he lived in Moscow, Russia and later mostly in Bucharest, Romania. Since February 1987 he lives and works in New York City. From the very beginnings in his career as an artist he was ready to experiment with a wide range of materials and techniques. Painting, drawing, photography intersected with printmaking techniques like: intaglio, woodcut, aquatint or mono-type. Working in a variety of styles, from representational to abstract his imagery reflected his spiritual explorations, blending European, African, Asian, and esoteric symbolism in a highly personal visual language. He alternates figuration with abstraction in search for a balance between ideas and emotions. His main sources are his extensive readings on a wide variety of subjects as history, mythology, philosophy, literature and physics. In 2003 he was diagnosed with Parkinson's Disease. After the initial shock he rallied, refocused and sorted out his priorities and his work took a very different and surprising turn. Realizing that when he is in creative mode his PD symptoms practically disappeared, he became a workaholic. A combination of a large studio offered by a benefactor and very generous subsidy from one of his collectors allowed him to explore for several years working and experimenting in a variety of media without financial worries.This brought him a prestigious CODAvideo award for concept (https://www.codaworx.com/awards/video/2014/winners). His range of materials and techniques widened and sculpture/assemblages with found objects and photography became dominant in the recent ears. Keeping his body of work together for years allowed him to transform his studio into a continuously evolving Installation/Environment. In his work Meret tackles theories, concepts, and historical events, concurrently reversing perspective or reinterpreting facts until the world surrounding him becomes a little more reachable. He contemplates “If one removes sand grains one at a time, when does a heap of sand stop being a heap of sand?” and tests the wide concept of "change" and "transition". Often his works is an attempt to capture that elusive moment of transformation that is the fabric of what we call life. His approach to the creative process is a continuous search for new challenges.

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