VIEW IN MY ROOM
United States
Photography, Cyanotype on Paper
Size: 54 W x 24 H x 0.1 D in
Ships in a Crate
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
These are three 24 x 18 inch (60 x 45 cm) cyanotypes which are each unique hand-printed monoprints. After they are matted and framed separately, they will span more than 54 inches across the wall. Closer to 72 inches or 6 feet (over 180 cm.) If you were to mat and frame each print separately in a 30 x 24 inch frame, together on the wall with a gap between the frames, they would span 72-80 inches horizontally. These are all quadruple exposure cyanotypes. The ghostly moonlit effect is the result of seeing multiple closely overlapping images at once. The different shades of blue are created by exposing some parts of the light-sensitive paper to sunlight longer than others. Cyanotypes are a 19th century photographic process. There is no film negative, no printing press, no ink, no etched copper plate nor carved wood block to be able to reproduce these images. Each is a unique monotype made using real plants from my own garden. My layering and monochromatic multi-tone technique is inspired by different kinds of printmaking that I have practiced in the past, especially multiple-plate block prints and aquatints.
Multi-paneled Photography:Cyanotype on Paper
Original:One-of-a-kind Artwork
Size:54 W x 24 H x 0.1 D in
Number of Panels:3
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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