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Concrete Berlin pre-unification. AR902_003. Blockchain Photograph - Limited Edition of 19
Italy
Photography, C-type on Paper
Size: 19.7 W x 29.5 H x 0 D in
Ships in a Tube
Shipping included
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Artist featured in a collection
About The Artwork
In Paolo Grassi's photograph, the viewer is captivated by the grandeur of pre-unification Berlin's architecture, with the historic wall prominently featured in the foreground. The imposing structures in light concrete, symbols of the era preceding reunification, stand with a majesty that dominates the skyline. The square and decisive outlines of the buildings evoke a bygone era of division and separation, while the tilt of the framing adds dynamism and depth to the composition. Grassi's shot captures the historical essence and grandeur of these buildings, inviting the viewer to reflect on the complexity and history of the city of Berlin. The photographic print is produced from certified files using a blockchain system (similar process to NFT).
Details & Dimensions
Photography:C-type on Paper
Artist Produced Limited Edition of:19
Size:19.7 W x 29.5 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
Paolo Grassi was born in Tuscany and began photographing at a very young age in an analytical manner starting from 1976, after studying photographic technique and lighting based on the experiences of Andreas Feininger and Ansel Adams. For about 15 years, he explored the elements of nature and people through the filter of photographic film with a 35mm reflex camera, which, due to its compactness, accompanied him daily for many years in his visual exploration. Many images were captured on film, and only a small portion was personally printed in black and white in a darkroom. A significant aspect of this period is the photographic research conducted in Sardinia in 1979 (the year of the kidnapping of singer-songwriter Fabrizio De André in Gallura), where he interpreted and documented the environment, traditions, and faces of the people in black and white.
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