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VIEW IN MY ROOM

FP Floating 250 - Limited Edition 1 of 25 Photograph

Geoff Dunlop

United Kingdom

Photography, Color on Aluminium

Size: 39.4 W x 39.4 H x 0.4 D in

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315 Views
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About The Artwork

This is one of a series of found paintings I seek out in the city. They are paintings made by time rather than by an artist - although often the human hand leaves a mark on its progress. But that hand is rarely directed by intention. I came across this piece in a small area of working boatbuilders where, within living memory, passenger and merchant ships ventured out in a world of steam and empire. So this image becomes an expression of the shared memory of a fading time. This piece, as priced here, is printed on photorag art paper. But it can be, to order, be printed directly on to metal, either aluminium or steel. This will, inevitably, increase the cost of the work and of shipping. Also other sizes are available on request - at proportionate prices. The high resolution of the original will allow for a print of 300cm x 300cm or even more. Of course, smaller prints are available as well.

Details & Dimensions

Photography:Color on Aluminium

Artist Produced Limited Edition of:1

Size:39.4 W x 39.4 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.

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