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French King Bridge • Limited Edition of 20 Photograph

Richard Crable

United States

Photography, Digital on Paper

Size: 36 W x 24 H x 0.1 D in

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About The Artwork

The French King Bridge in Massachusetts crosses the Connecticut River and was opened to traffic on September 10, 1932. Its name comes from a nearby geographic feature called French King Rock, a large outcropping of rock located farther up the river. There are several things I liked about this scene — first, you can never go wrong with an arch, as it’s such a classic and beautiful form; second, I liked how the clouds mimic the lines of the bridge’s road; and third, the person fishing on the shore not only provides a sense of scale but also serves as an anchor endpoint for the reflection of the arch in the river waters. I really enjoyed how all these elements came together at just that moment.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:20

Size:36 W x 24 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The world around us is full of beauty in so many forms. But all too often, we become wrapped up in the stress and craziness of daily life and forget to look. Eventually, we lose touch with the sense of wonder and amazement that we once possessed. Photography is my attempt to explore our world, reawaken those feelings and reclaim a sense of connection. Fundamentally, I would rather make a photo than take a photo. Let me elaborate. These days, everyone takes photos - we all have a camera or phone with us most of the time, and there is an endless supply of subjects around us (just look at Instagram). As the technology improves, it also becomes easier for anyone to take a technically correct photograph, with near-perfect exposure, focus, and color balance. When you take a photo, you are using these tools to accurately document something around you. But when a photographer makes a photo, he/she is attempting to do more than just document what is in front of them. The photographer is trying to express a personal, creative vision that (hopefully) evokes an emotion in the viewer. That emotion could be the same emotion the photographer felt at the time, or it could be another emotion altogether. But the key is that there is an artistic intent that supersedes simple documentation of a scene. 99% of photographs that we see today are simply taken. They are literal representations of a scene. But just like a painter, a photographer is an artist and has the ability and the tools to make a scene better express an emotion or a message. In this way, the most effective photographs that elicit an emotional response are made and not simply taken.

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