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Horses do not dance but you do - Limited Edition 1 of 8 Photograph
Netherlands
Photography, C-type on Aluminium
Size: 59.1 W x 39.4 H x 0.3 D in
Ships in a Crate
Shipping included
About The Artwork
This work has been made with an analogue pinhole camera and depicts a carousel moving at a fancy fair. Before the spinning carousel a woman is waiting for her child which is in the carousel. When working with a pinhole camera objects which are moving are blurry, which gives a dreamy fairy tale like touch to the photograph which has been on show in galleries in Istanbul and the Hague as well as Rotterdam. The work was also in a show at the City Museum/ Gemeentemuseum of The Hague ( The Netherlands). The title of the works refers to a poem (from the collection of poems 'The Art of War. Languishing poems and other temporary cease fires').
Original Created:2015
Subjects:Culture
Styles:Fine ArtFigurativeAbstract
Mediums:C-typeBlack & WhitePinhole
Details & Dimensions
Photography:C-type on Aluminium
Artist Produced Limited Edition of:8
Size:59.1 W x 39.4 H x 0.3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
Iconic, eye-catching yet serene, high-quality artworks. Works of Brigitte Spiegeler are in various international private and company collections. Participated in the Venice Biennial 2017. ‘Brigitte Spiegeler’s work is about an imaginary time, which exists only in our minds: a timeless, internal time. Like a memory: vague, with reappearing details (the memory is engraved in the present moment, but in the same time immensely distant and imperceptible (memories belongs to the past). The blue colour gives a different relation with the time: it is a modern time, with abstract forms, superimposed on a fixed past, a complement to what already existed.’ (Quote by Philip Peters in the publication ‘Byzantine Blue’)
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