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In the eye of the storm. Alternate version. Photograph

David Field

United Kingdom

Photography, Color on Paper

Size: 52 W x 39 H x 0.1 D in

This artwork is not for sale.
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About The Artwork

In the eye of the storm. Alternate version. Photograph. 2019. This image was produced using macro photographic techniques. I carry out experiments in which I try to capture the fleeting qualities of light as revealed as it moves through transparent and translucent materials. My experiments are carried out in the open air an hour before or after sunrise or when the moon is out. I have found that the light is most interesting at these times. On occasion the images captured seem to bear no resemblance to the environment in which they were taken and instead reveal views into hidden worlds where many interpretations exist for what appears to be visible to the viewers eye. The title refers to the interpretation that I have applied to the image, what you see might be different. The images are available as prints on various papers and canvas from Saatchi Art.

Details & Dimensions

Photography:Color on Paper

Original:One-of-a-kind Artwork

Size:52 W x 39 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a UK based Artist born in Northern Ireland but currently living near London. I work as a commercial Sculptor and experimental Fine Art photographer. Professionally, working as a commercial sculptor to make my living, I have over 25 years experience making three dimensional objects for Public Art projects, Theatre, Film, TV and Retail display. My work with photography involves exploring qualities of light on the macro scale, revealed on its passage through, or as it reflects off, natural surfaces and materials. I am fascinated by the idea that all around us there are events and vistas that we cannot percieve because of their transience and minute scale. Some of the scenes captured in my experiments have an other worldly quality to them and could be said to represent fleeting glimpses into other dimensions or modes of perception. I use digital capture equipment and my own method of shooting at the macro level to reveal lights hidden qualities. I have chosen the digital capture, review and editing work flow as the process is quicker than traditional film based media. In my current body of work I have chosen to restrict my capture experiments to early in the morning or after moon rise as the quality of light at these times is at its most interesting. I am inspired by the natural world along with geology and science. I love the work of the Surrealists, Man Rays photograms, 1950s science fiction book cover illustration and classical figurative sculpture. I worked as the Studio Assistant for the Queens Sculptor for Scotland, Sir Eduardo Paolozzi, from early 1997 to late 1998. I have my studio close to home in Surrey, UK.

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