"Inner Gate, Auschwitz I" Photograph - Limited Edition of 10
Photography, Giclée on Paper
35.4 W x 23.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$2,840
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
"Inner Gate, Auschwitz I" is part of Void Fraction, a long-term documentary photography project investigating Nazi-era ruins across Europe, photographed between 2009 and 2026. This image was made at Auschwitz I in January 2026. An inner gate stands open between two sections of the camp — chain-link...
Year Created:
2026
Subject:
Styles:
Mediums:
Photography, Giclée on Paper
Rarity:
Limited Edition of 10
Size:
35.4 W x 23.6 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Brazil.
Customs:
Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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I am a Brazilian experimental photographer and visual designer based in São Paulo.
My photographic work explores memory, absence, architecture, and the emotional residue left in places marked by time, silence, and historical rupture. Through the project Void Fraction, I investigate spaces where human presence has disappeared or become fragmented — abandoned structures, memorial landscapes, ruins, restricted zones, and environments shaped by trauma, decay, or disappearance.
Rather than treating photography as documentation alone, I approach it as a way to study what remains: traces, surfaces, shadows, empty rooms, broken geometry, and the quiet tension between beauty and discomfort.
My visual language is influenced by design, cinema, brutalist architecture, post-industrial landscapes, and historical memory. I am especially interested in images that feel suspended between evidence and dream — photographs that do not explain everything, but invite the viewer to stay with the silence.
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