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Libre ! - Limited Edition 01 of 30 Photograph

Niamor Eplov

France

Photography, Black & White on Paper

Size: 11 W x 7.5 H x 0 D in

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$161

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About The Artwork

This is a combination of two shots taken a couple of minutes appart in the same spot in the Albaicin neighbourhood in Granada, Spain, in April 2016 (the Alhambra of Granada can be seen in the background). The resulting image illustrates the intricate knot that ties the human capacity for freedom and his inescapable burden of constructing his own cage. This print is made on hahnemühle fine art baryta paper. Dimensions of the paper canvas are 28x41cm, which includes a 1cm white border (actual image dimensions are therefore 26x39). This print is n°01/30. The print comes with a seal code as well as a certificate of authenticity. The author's certificates of authenticity come printed on a thick cardboard (850gr/m2) and contain a certificate seal along with the print's seal number.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:30

Size:11 W x 7.5 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Self-taught photographer, I live in Paris, France. I started photography in 1995 and exclusively worked with 35mm film until 2015 when I switched to a digital camera. A part of my work which started in 1996 consists in single long-exposure shots using mostly flashlights, with no image editing in post-processing (apart from what is only necessary in a darkroom - exposure, contrast and subtle local corrections). At first glance a viewer would think of those images as being highly digitally manipulated when they are in fact only the results of small choreographies of light and movement performed in the dark in front of the camera, slowly shaping the resulting image in that single exposure. My main interest using this technique is creating strange or surreal moments relating to the frailty of fading memories or "ghosts", and to our perception of space and time, with a taste for dark and shadowy atmospheres much influenced by cinema. A french writer once wrote something that stayed with me and relates for me to these strange moments of photography : "L'espace fond comme le sable coule entre les doigts. Le temps l'emporte et ne m'en laisse que des lambeaux informes." (Georges Perec, in Espèces d'espaces, 1974) Another and more recent part of my work consists in landscape, cityscape, architecture and street photography, with a particular interest in framing human elements (shadows, geometries, symmetries, traces of human presence or activities, mechanical or structural elements) in the natural landscape, always looking for an intriguing side of things. For this kind of work, I sometimes use multiple shots combinations and digital processing techniques in editing, but always look for a natural result (most of the times the viewer would have no clue that the image has been digitally edited if it were not for my indications of such a process).

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