VIEW IN MY ROOM
Italy
Photography, Color on Paper
Size: 23.6 W x 23.6 H x 0.4 D in
Ships in a Tube
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Venice. I close my eyes, I reopen them again under water. Tourists and wares crowd air, water, body and senses, finally blowing the circuits of attention. I become almost blind, I fall in a white-grey space, as among clouds and fog: it’s stagnant, dull water, where nothing is precise. Through a misted light, eyes find it hard to distinguish and focus. Photography reactivates those blown circuits. Amphibious ghosts with long hairs populate the lagoon space, making a messy, blurry landscape of muddy colors. They stream restlessly, then spread out and slowly land on the ground. There they meet stones and materials, memories of men and their past. I closed my eyes to the bright colors, the noise, and the speed of an eternal city to go down in depth to a dreamlike borderland between earth and water, movement and stillness. Among indefinite limits and colors, I gave shape to the movement of the light, which from the pathways of a physical and imaginary subsoil, comes up to the surface to tell its story.
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:23.6 W x 23.6 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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In my work I start from two primary elements of nature that are important elements of my personal history and my journeys abroad: water and roots. I use water as a leitmotiv to push the observers into a flow, visual and sensual, in which they perceive the current dangerous environmental conditions on this earth caused by human actions. One of my technical processes includes overlapping (a specific way to overlap( two or more image frames using the analog Holga camera. The merging (of more frames is not a digital manipulation or postproduction, it) is manually performed in the shooting phase and is made possible by the unique characteristics of the camera (Holga), (such as for example the possibility to manullay move forward the film, or the casual light leaks). These characteristics often determine some unplanned or unexpected results. The Holga camera offers a mix of extremley specific way to use a film and some (utterly) uncontrollable factors. This tecnique is simultaenuosluy very precise and superficial. . My process also envolves the digital manipuation of colors to an extent that the original landscape is turned into abstract and conceptual. The manipulation generally consists in partial desaturation of specific colors or in a very delicate deduction of some elements. The original landscape is abstracted inviting the viewer to consider the conceptual.
Handpicked to show at The Other Art Fair presented by Saatchi Art in New York
Artist featured by Saatchi Art in a collection
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