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'NYC's Maritime Park' -- Vintage, 1968 - Limited Edition 1 of 20 Photograph

John Crosley

United States

Photography, Black & White on Paper

Size: 40 W x 26.9 H x 0.1 D in

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About The Artwork

Note: This image is vintage 1968 and among my first work. While a student reading a book a week for each of five courses at NYC's Columbia College, Columbia University, I turned my newly purchased, first-ever camera, within two months of its acquisition, toward this scene. By instinct, and without benefit of ever having studied or taken a course in photography, I breezily tried to challenge the best works I had seen in 'Life', 'Look', and other illustrated weekly nationwide magazines. In retrospect that seems like a foolhardy challenge. This is one result. Taking good photographs with a manual single lens reflex camera and a goal of equaling world best standards caused me intense mental work, physical pain, and headaches while framing. Sometimes I finished the task soaking in sweat, as I tried to figure out best angles, best subjects, and how to put a frame around subjects I found interesting ,then capture them in a style I felt would be competitive with world best. How foolish, youth. How wonderful! This photo of a man on a pier at NYC's Maritime Museum pier with a wooden lifeboat and an early steel steam ship together with the bench and sitter (an accent) to me epitomized the height of my early 'talent' involving 'still' subjects in what later became known as 'street' style. At that time and until far later, I had not heard the words 'street photography'. My highest aspiration in a world which paid little attention to such works was a hoped-for monograph in 'Aperture' some future date. In 1968, little such work was published, especially compared to the present with its surfeit of photographers, cameras, and images. This photo, taken first in a wonderfully color coordinated transparency since has been desaturated into the black and white which has become my beloved 'street photography' (The original transparency was lost, and this image was made from a 4x5 in.monochrome internegative.) This work and half a hundred best other early best works sat printed in exhibition format in closets while I practiced law for decades. These images survived several household moves but were not shown or acknowledged because of a disapproving spouse who 'didn't get' or 'understand' my photography. That which caused me long ago to abandon my photo efforts for decades at a time (now ended). My interest was finally allowed to resume in my early '40s when I briefly showed in an exhibition in Wetzlar, Germany, then abandoned the photo quest again until the mid 2000s, at about the time of Henri Cartier-Bresson's death. Cartier-Bresson, whom I met a year after this photo was taken. advised me against accepting a proffered Associated Press photo job starting in San Francisco and advised me 'shoot for yourself'. I did just that from then on. I quit that AP photo job the day I was to start, immediately after meeting Cartier-Bresson and viewing his wonderful work at San Francisco's De Young Museum. I had not known before the meeting who this 'Henry' guy' (Cartier-Bresson) was who met me by reference and arrangement of a mutual friend from Associated Press, or that Cartier-Bresson was one of photography's great luminaries -- a photographer's photographer. Even as I spoke to him before seeing his giant exhibition, I did not know his status THEN I viewed his great life's work in wonderment. HCB and I were introduced by AP colleague Jimmy White who said 'Henry' from France (Cartier-Bresson) was an 'Old China Hand' from the days after WWII when the Communists took over China. My colleague said my photos reminded him of friend Cartier-Bresson's which inspired the meeting, though 'le maitre' never saw my work. But since I have always followed HCB's advice: 'Shoot For Yourself' -- advice HCB had received from friend and Magnum colleague, Robert Capa, and passed on to future Magnum colleagues. john John (Crosley)

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:1

Size:40 W x 26.9 H x 0.1 D in

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I am a photographer who has taken in the past 12 years, over est. 2 million images, mostly street, with many shown previously under various host sites to over est. 200 million counted viewers. I practiced law very successfully in Silicon Valley, CA for nearly two decades; retiring at about age 40. I am a graduate of NYC's Columbia College, Columbia University. As editor/writer/photographer, I won the Lebhar-Friedman Publishing Blue Chip award for excellence in writing, editing, and photography. For law,I won a variety of awards and special recognition. I attended law school in Silicon Valley, graduating with honors and founding my own Silicon Valley law firm, from which I retired in the late 1980s. I have worked side by side with over a half dozen Pulitzer prize-winning photographers, was shot once, and later medically evacuated from Vietnam while photographing the war there. Self-taught in photography, later, among others, I have been mentored by the following: 1. Henri Cartier-Bresson 2. Sal Vader, Pulitzer winner, Associated Press 3. Wes Gallagher, President/Ceo of Associated Press who groomed me to replace him as A.P. head. 4. Sam Walton, Wal-Mart founder who tried to lure me into his smaller company, now the world's largest. retailer. 5. Walter Baring, Peabody award winner, WRVR-FM NYC's premier cultural radio station. 6./ A variety of great photographers, many Pulitzer winners, including many also from Associated Press,/ Many were Vietnam war colleagues from my freelancing the Vietnam war; others from AP NYC world headquarters. I took H C-B's advice: 'Shoot for yourself, John,' to avoid photo work that would require shooting in a special style. not my own. HCB's s generous, helpful advice also resulted in a career with AP wire service as a world news writer and editor, world service, Associated Press world headquarters, NYC. 6. Michel Karman, Lucie Award photo printer and photo exhibition genius. ent in two 'wars' -- the Vietnamese War, and a prisoner of war taken by Russian separatists in the current Ukrainian--Russian Separatist battles that killed over 10,000 and displaced over 1 million. While writing and as a worldwide photo editor for Associated Press, I was asked to understudy their CEO (worldwide General Manager), to become successor general manager on his retirement, but declined the position. I live the lifestyle of a photographer and am proud of it.

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