VIEW IN MY ROOM
Nadia #1 [Limited Edition of 25] Plush Works Series Photograph
Photography, Digital on Photo Print
Size: 19.7 W x 19.7 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
About The Artwork
Available formats: 50 x 50 cm [approximately 20 x 20 inches] 100 x 100 cm [approximately 40 x 40 inches] 200 x 200 cm [approximately 80 x 80 inches] Also available as a print behind acrylic glass with frame. ___________________________________________ The Plush Works Series is an impressive visual exploration of the dialogue between softness and strength. The focal points are women's mouths, nestled within a context of plush. This interplay between soft texture and human anatomy results in a remarkable contrast that hints at deeper questions about the roles and expectations of female identity. Plush, often associated with childhood and comfort, is starkly juxtaposed with the expressive power of the mouths in this series, serving as a metaphor for communication, self-expression, and autonomy. Through this tension, the inherent complexity of female identity and the constant negotiation between softness and strength, playfulness and seriousness is depicted.
Details & Dimensions
Photography:Digital on Photo Print
Artist Produced Limited Edition of:25
Size:19.7 W x 19.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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The focus of ARTURUTRA is mouths. Yet these fragmented bodies do not conform to classical portraits. They often resemble staged still lifes. The works are characterized by a narrative ambiguity. The viewer sees and must fill in the missing elements themselves. Perhaps they view with the eyes constantly absent in the works. Then, the depicted mouths speak with the inner voice of the observer.
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