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Original Photography #03 - 2017 Serial: #1-22 - Limited Edition 1 of 30 - Limited Edition 1 of 30 Photograph

POLITICAL SATIRICAL POP ART ARTIST DIKLA STERN

Germany

Photography, Digital on Paper

Size: 11.8 W x 9.8 H x 0.2 D in

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About The Artwork

Contemporary Photography – Original Photography #03 - 2017 Serial: #1-22 C-Print – Photo paper 220g/m2 – matt – unframed Size: 11,8 x 9,8 in Signed, titled and dated photography [Back side] – Limited Edition 1/30 (for other sizes please check: https://www.etsy.com/shop/diklastern) ABOUT THE WORK - WHAT DO THE PHOTOGRAPHS MEAN? From a distance Dikla Stern’s photographs seem to depict abstract forms, which are simultaneously opaque and devoid of content. At times, the shadows can be seen more clearly than the photographed objects themselves. A first glance does not immediately inform viewers what is creating these shadows and how they were created, or indeed, why they are there. The closer we move to the photographs, the richer they are in detail; little features that could not be identified at all with the naked eye become perceptible. This increase in recognizable elements initially seems to render the objects even more alien. This means that if we take some time, if we move closer and look closely, then we will see that, in her recent work, Dikla Stern has photographed several everyday utensils in a highly distinctive aesthetic: a kitchen knife, a cooking spatula, a food container, foods, a box and a tin can. They have been recorded in various high-angled photographs: For us, as viewers, this creates the impression of bizarrely misshapen, remarkable objects that often become recognizable and identifiable only through their shadows. [Complete text: http://diklastern.com/sketches01.html]

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:11.8 W x 9.8 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The exploration of society in the context of the charged dichotomy between power and oppression, law and freedom, is sometimes discreetly, but sometimes also entirely directly, a constant in my work. These works describe societal phenomena that are perceived as “disturbed.” Contemporary themes, issues and events are subjected to artistic reflection and examined in terms of the collective influence of media, politics and history on the individual. She has received exhibition support from various institutions, including the Adrienne and Otmar Hornbach Foundation, Dieter-Kissel Foundation, and Werner-Deschauer Foundation. Her works have been exhibited at venues such as the CICA Museum in South Korea, the German Hygiene Museum in Dresden, the Potemka Gallery in Leipzig, and the 5th European Month of Photography (EmoP) in Berlin. They have also been featured in film and television, including productions such as “Altes Land” (ZDF) and “Fucking Berlin” (Netflix). Works are in the possession of private collectors, museums and companies, internationally.

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