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The Good Samaritan, limited edition #19/150 Photograph

Christopher Ruane

United States

Photography, Color on Paper

Size: 33.5 W x 21 H x 0 D in

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About The Artwork

The Good Samaritan, limited edition #19/150 Explore image in detail: http://www.christopherruane.com/Set/Sacred-Art-Modern-World/The-GoodSamaritan Giclée on Hahnemühle Photo Rag Winner of the 2012 National Catholic Arts Exhibition The Good Samaritan has been represented many times throughout art history; but as I was taught this story as a child, I never realized until recently just how powerful the message of loving your neighbor is or how difficult, in modern times, it has become. Inspiration arose from contemporary news events and I saw an opportunity to expose the meaning with contrasting imagery showing a message of love where one would expect animosity. This prompts inspection of the image, leaving the viewer seeking the familiar story, as opposed to the message of Christ. During the story of the Good Samaritan, Christ explains that a man is robbed and left –for-dead and a priest and a Levite, those who would have been most likely to render aid, do nothing and pass him by. Then a Samaritan man, who in Hebrew culture was despised, stops, and tends to the man. In my interpretation, I chose an unlikely Samaritan, separated by cultures and reviled in the media, to bring the message of neighbor. Clearly, those who had responsibility to help and even those with the desire to help, are justifiably frightened and look upon the scene as they have been taught, self-preservation first. The piece shows a scene that should be easy. As children, we are taught, to “love thy neighbor” and help; but we are also taught to flee from danger. Modern times have made our intentions and our actions diametrically opposed. In many historical images of the Good Samaritan, the thieves and robbers responsible for the crimes against the innocent are usually depicted as fleeing the scene. In my depiction, you the viewers become the robbers, standing outside the piece represented by the shadowy figures in the foreground, possibly hopeful of benefiting from the misfortune. It is designed to have you ask yourself, how would you profit? Will you take the last bit of money spilled onto the street by the innocent man or will you choose to help? The piece suggests, by the streetlight shining on the graffiti, that you choose to avail, or be of help or service.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:33.5 W x 21 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Christopher Ruane is a composite artist and photographer from Pittsburgh, Pennsylvania who specializes in massive digital photomontages. Sometimes with thousands of individual layers, each photographed and created separately, his work often focuses on the spiritual and contrasting human condition. Influences for his images come from nature, personal experiences, art history, and current events. The complexities of each piece are made to be studied to reveal an inner meaning and viewpoint about our culture, the current climate of the world and what we believe to be the truth of our origins. His work has been shown in museums locally and galleries across the United States. In 2012, his image, The Good Samaritan, was the winner of The National Catholic Arts Exhibition at St Vincent College and since has earned an honorable mention and peoples choice award in the Biannual Exhibition . His work has been chosen for exhibitions by notable jurors from MOCA Cleveland, Andy Warhol Museum, Brooklyn Museum, and Carnegie Museum of Art. Christopher has also received awards from notable Curators such as Linda Benadict Jones and Art Historian John T. Spike, past Director of the Florence Biennale. In the last few years, Christopher and his work were featured in Camera Obscura Journal, Whirl Magazine, The Catholic Accent, The Pittsburgh Post Gazette, The National Catholic News Service, Religion News Service, The Washington Post, and The Huffington Post. In 2016 he was awarded The Charles Dodgson Black & White Award at The Berlin Photo Bienniale and also received awards in PX3 Prix De La Photographie Paris and The International Photography Awards.

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