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The Person from Porlock 569 - Limited Edition 1 of 10 Photograph

Geoff Dunlop

United Kingdom

Photography, Digital on Paper

Size: 39.4 W x 59.1 H x 0.4 D in

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About The Artwork

The images in this ongoing series are inspired by the work and life of Samuel Taylor Coleridge, poet, polemicist, political activist and utopian visionary. He was one of the founding figures of the English Romantic movement, which started out as a radical response to the many revolutions under way at the turn of the nineteenth century - political, social, technological, industrial and, of course, cultural. These made up a set of transformations that created the modern world, at great benefit but also at great cost to individuals, to societies and to the very natural order that the Romantics so revered. I live in the south-west of England, a part of the world where the young Coleridge walked and talked and looked about him with a gimlet gaze. This remarkable person was charismatic, eloquent, idealistic, passionate, yet also deeply flawed by the sometimes heartless self-obsession of the artist. In truth, these contradictions draw me to him, make him seem tangible, and encourage me to look at the places that he once inhabited with the intensity and concentrated attention he gave them. Like Coleridge, I wish to see deeper into the structures of nature and human society. And, like all the Romantics, I wish to connect the world we inhabit to our deepest desires, ambitions and fears. Smaller size prints are available on request, priced accordingly. I can also mount prints in this series on aluminium or dibond.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:39.4 W x 59.1 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.

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