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Urban Birds Photograph - Limited Edition of 20
Brazil
Photography, Digital on Canvas
Size: 47.2 W x 31.5 H x 0.1 D in
Ships in a Tube
Shipping included
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About The Artwork
- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil Known as scissors, treasurer, treasurer and earwig. The earwig is a passerine bird in the Tyrannidae family. Unmistakable migrant, where it passes in groups of up to hundreds of individuals, in typical concentrations in the months of September and October. They sleep in the same tree or nearby trees when migrating, whether in natural areas or in urban areas. The hood is black, with a yellow color in the middle of the cap, most of the time hidden, it stands out against the throat and white underparts. Uniform gray back, highlighted by the long tail, which is longer than the body itself. There is a discreet sexual dimorphism, with males having a large extension of the tail, especially the two outermost feathers. This difference is visible when the birds are close together. The shape of the tail gave rise to the common names. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)
Details & Dimensions
Photography:Digital on Canvas
Artist Produced Limited Edition of:20
Size:47.2 W x 31.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.
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