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My involvement with environmental preservation inspired the creation of this series and the intent is to connect viewers with our innate kinship to the natural world. 
The compositions present a unique allegory—an internal rhythm that embodies our relationship with the beauty found in nature, contrasted with the realization of human consumption and the impact it has on the planet.

Éveil - Untitled iv, features an industrialized shoreline captured on the Burrard Inlet, of Vancouver, British Columbia. 
Once a thriving shoreline, rich in resource and wildlife, at the foot of the North Shore mountains, it now is plagued with industries of mass export. Oil refineries, sulphur mills, grain terminals, resource pipelines, etc. have converted the natural landscape into a high grossing, yet hazardously polluted body of water. The model's lifeless reaction represents the struggle with being a consumer of these products, providing a demand, yet aware of the devastation to the natural world for unnecessary luxuries.

Artwork:  The composition is printed onto archival metallic pigment paper mounted to 0.08 gauge aluminum.  Custom installation brackets are fitted onto the reverse. 
The piece has a floating, modern aesthetic once installed. 
Limited editions of 12.  Current edition for sale: 02/12. 
150 year archival life span.
My involvement with environmental preservation inspired the creation of this series and the intent is to connect viewers with our innate kinship to the natural world. 
The compositions present a unique allegory—an internal rhythm that embodies our relationship with the beauty found in nature, contrasted with the realization of human consumption and the impact it has on the planet.

Éveil - Untitled iv, features an industrialized shoreline captured on the Burrard Inlet, of Vancouver, British Columbia. 
Once a thriving shoreline, rich in resource and wildlife, at the foot of the North Shore mountains, it now is plagued with industries of mass export. Oil refineries, sulphur mills, grain terminals, resource pipelines, etc. have converted the natural landscape into a high grossing, yet hazardously polluted body of water. The model's lifeless reaction represents the struggle with being a consumer of these products, providing a demand, yet aware of the devastation to the natural world for unnecessary luxuries.

Artwork:  The composition is printed onto archival metallic pigment paper mounted to 0.08 gauge aluminum.  Custom installation brackets are fitted onto the reverse. 
The piece has a floating, modern aesthetic once installed. 
Limited editions of 12.  Current edition for sale: 02/12. 
150 year archival life span.
Éveil - Untitled iv - edition 01/12 - private collection installation *Iphone photography not representative of actual tones of artwork
1284 Views
33

VIEW IN MY ROOM

Éveil -Untitled iv Photograph - Limited Edition of 12

Desiree Patterson

Canada

Photography, Manipulated on Aluminium

Size: 68 W x 27 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $7,450
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1284 Views
33

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

My involvement with environmental preservation inspired the creation of this series and the intent is to connect viewers with our innate kinship to the natural world. The compositions present a unique allegory—an internal rhythm that embodies our relationship with the beauty found in nature, contrasted with the realization of human consumption and the impact it has on the planet. Éveil - Untitled iv, features an industrialized shoreline captured on the Burrard Inlet, of Vancouver, British Columbia. Once a thriving shoreline, rich in resource and wildlife, at the foot of the North Shore mountains, it now is plagued with industries of mass export. Oil refineries, sulphur mills, grain terminals, resource pipelines, etc. have converted the natural landscape into a high grossing, yet hazardously polluted body of water. The model's lifeless reaction represents the struggle with being a consumer of these products, providing a demand, yet aware of the devastation to the natural world for unnecessary luxuries. Artwork: The composition is printed onto archival metallic pigment paper mounted to 0.08 gauge aluminum. Custom installation brackets are fitted onto the reverse. The piece has a floating, modern aesthetic once installed. Limited editions of 12. Current edition for sale: 02/12. 150 year archival life span.

Details & Dimensions

Photography:Manipulated on Aluminium

Artist Produced Limited Edition of:12

Size:68 W x 27 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Desirée Patterson is a Canadian photographic artist currently living on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) nations, in Vancouver, BC. Her career began during a journey throughout nearly forty countries across four continents. As she documented her extensive travels, she repeatedly observed exhausted environments and impoverished situations. These experiences impacted Patterson deeply, they served as a catalyst inspiring the themes and direction of her art practice. Patterson’s artistic process consists of digital image capture and meticulous post manipulation of form, shape and orientation, turning disparate layers into unified compositions. From creating industrial landscapes that seamlessly interweave with the human form (Éveil, 2018) and composing mountainous landscapes that embody the idea of melting (Point de Fusion, 2018), to merging endangered glaciers with climate temperature data (Anomaly, 2020) and generating macrocosmic planets that depict the precarious impact of humans on nature (Anthropocene, 2019), her work captivates and challenges viewers. Patterson is both an artist and activist, ever aware of the harsh realities our earth is undergoing. It is within this ongoing state of dire predictions, global disasters, and bleak planetary projections that she seeks out the beauty and grace of the world in which we live in, waking us from a stilted slumber, with ambitions to propel us into collective action. Key thematics in her work include sustainability, environmental issues, social justice and humanity’s dystopic relationship with nature. Patterson has completed public art projects for the City of Richmond, BC Children’s Hospital and Capture Photography Festival among others. Her work is found within multiple public and private collections in Canada, the United States, Singapore, Europe and Hong Kong. In 2018 she trained with former Vice President Al Gore in Los Angeles, in the role of civilian leadership as part of the Climate Reality Project and in 2020, she was a selected mentee in the ICASC Futures/forward program, via SFU in partnership with Judith Marcuse Projects. Through visual art, the organization of public events and by conducting community engaged projects, Patterson feels that she can transcend societal barriers through stimulation of curiosity and imagination; creating unique opportunities to empower individuals and incite change.

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Featured in the Catalog

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Artist featured in a collection

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