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15 Edition.  Each image slightly different.
The five woodcut blocks.
Close up.
2/15
2/15
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Creech (Tree) Print - Limited Edition of 15

Adam R Grose MA RWAAN

United Kingdom

Printmaking, Woodcut on Wood

Size: 7.5 W x 8.3 H x 0.4 D in

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$160

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About The Artwork

This is a block print of a tree growing along the embankment of the old Chard Canal that ran to Chard from Creech St Michael in Somerset. It was built just before the arrival of the railway. This image is taken from Creech St Michael where part of the canal is in ruins. The reservoir in Chard is now a bird and animal sanctuary. The closing of the canal was authorised by an Act of Parliament in 1867. These prints are made from four woodcut block prints. The blocks were lightly pressed, creating a stippling effect, with many layers of colour laid on top of one another, adding depth to the image. The print is printed on eco-recycled acid free cartridge paper. There are 15 prints in total, each numbered and signed. Each one is slightly different, so I would advise having a look through each of them to see if there is one you prefer over another and DM me to request the one you prefer to purchase. Otherwise when purchasing, you will receive the next in the sequence of prints available. These prints form a series of prints recording the remains of the Chard Canal, as I intend to visit the parts that are accessible and sketche/ draw/ paint them. These are part of my series linked to 'Lost Generations'. Materials used: Waterbased printing ink on eco-recycled cartridge * Woodcut on Paper (Handprinted) * From a limited edition of 15 * Size: 19 x 21 x 0.1cm (unframed) / 14 x 13cm (actual image size) * Signed and numbered on the front * Style: Impressionistic * Subject: Flowers and plants

Details & Dimensions

Printmaking:Woodcut on Wood

Artist Produced Limited Edition of:15

Size:7.5 W x 8.3 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. ​ *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.

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