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This print is made in an dark turquoise blue on 200g/m2 Hahnemühle, printed by hand, only with a palm-sized glass lens to manually rub the ink onto the paper rather than a printing press. And in addition each print of ENTRE 4 series is printed in a different colour, thus preserving the apparent uniqueness of each individual item in the series. 
"Do we see imaginary or real landscapes? The tide of condensation and thinning, or as liquids are freezing? As if facing the rays of a dark sun, we have to squint: because we can sense figurality, but as we take one step aside, the structure glints immediately. What we see is abstract and concrete at the same time. Or somewhere in between the two."
This print is made in an dark turquoise blue on 200g/m2 Hahnemühle, printed by hand, only with a palm-sized glass lens to manually rub the ink onto the paper rather than a printing press. And in addition each print of ENTRE 4 series is printed in a different colour, thus preserving the apparent uniqueness of each individual item in the series. 
"Do we see imaginary or real landscapes? The tide of condensation and thinning, or as liquids are freezing? As if facing the rays of a dark sun, we have to squint: because we can sense figurality, but as we take one step aside, the structure glints immediately. What we see is abstract and concrete at the same time. Or somewhere in between the two."
This print is made in an dark turquoise blue on 200g/m2 Hahnemühle, printed by hand, only with a palm-sized glass lens to manually rub the ink onto the paper rather than a printing press. And in addition each print of ENTRE 4 series is printed in a different colour, thus preserving the apparent uniqueness of each individual item in the series. 
"Do we see imaginary or real landscapes? The tide of condensation and thinning, or as liquids are freezing? As if facing the rays of a dark sun, we have to squint: because we can sense figurality, but as we take one step aside, the structure glints immediately. What we see is abstract and concrete at the same time. Or somewhere in between the two."
This print is made in an dark turquoise blue on 200g/m2 Hahnemühle, printed by hand, only with a palm-sized glass lens to manually rub the ink onto the paper rather than a printing press. And in addition each print of ENTRE 4 series is printed in a different colour, thus preserving the apparent uniqueness of each individual item in the series. 
"Do we see imaginary or real landscapes? The tide of condensation and thinning, or as liquids are freezing? As if facing the rays of a dark sun, we have to squint: because we can sense figurality, but as we take one step aside, the structure glints immediately. What we see is abstract and concrete at the same time. Or somewhere in between the two."

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ENTRE 4 (9/10) Dark Turquoise - Limited Edition of 10 Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 38.6 W x 53.1 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $1,670

90 Views

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Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This print is made in an dark turquoise blue on 200g/m2 Hahnemühle, printed by hand, only with a palm-sized glass lens to manually rub the ink onto the paper rather than a printing press. And in addition each print of ENTRE 4 series is printed in a different colour, thus preserving the apparent uniq...

Year Created:

2018

Subject:
Mediums:

Print, Woodcut on Paper

Rarity:

Limited Edition of 10

Size:

38.6 W x 53.1 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Portugal.

Need more information?

Need more information?

Stefan Osnowski is a German visual artist who employs one of the oldest reproduction techniques to create an intricate, digitally-inspired, ultra-modern aesthetic. He exclusively uses the centuries-old process of woodblock printing. Osnowski explores digital codes, transforming them into analog representations to depict phenomena such as time, movement, and space within a two-dimensional image frame. This transformation involves converting the image into an abstract binary barcode—1s and 0s—carved into a wooden panel and printed by hand using palm-sized glass lenses. The process of selecting a theme or medium is as integral to the concept as the physical contact and craftsmanship involved. In 2024, Osnowski was awarded third place in the international Luxembourg Art Prize. He lives and works in Lisbon. „My work explores the tension between structure and unpredictability, transforming familiar motifs into shifting frameworks of time and space. By weaving geometric harmony with chaotic disruptions, I blur the boundaries between rationality and emotion. The result is a visual language that oscillates between control and spontaneity, figuration and abstraction—inviting the viewer to navigate a dynamic, ever-changing landscape.“

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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