VIEW IN MY ROOM
United Arab Emirates
Printmaking, Paper on Paper
Size: 19.3 W x 24.4 H x 0 D in
Ships in a Tube
Title H.H. Mohammed bin Rashid Al Maktoum صاحب السمو الشيخ محمد بن راشد آل مكتوم (نائب رئيس الدولة – رئيس مجلس الوزراء – حاكم دبي) After a short visit to the UAE in November 2017, I felt in love with the UAE. I became amazed by the country where the sea from one side meets dunes from other, tradition in the spirit of nation meet with modern cities. I discovered how great people from desert build this country with wisdom and vision and I promised myself to tell the story about great leaders through my Figurative Fantasy artwork and since then this project becomes my main mission. Guided by “Year of Zayed”, I have started the project “In the Honor of the Great UAE Sheikhs” as a contribution to the history and present time of UAE. Paintings are engrossed in the mystery of vision, in the past and future, in the labyrinth of fantasy towards the success of UAE. I already completed my first painting in the honor of late Sheikh Zayed bin Sultan Al Nahyan and the rising of Abu Dhabi from a desert to one of the most prestigious capitals in the world. As a part of the exhibition, I draw portraits of the greatest sheiks of UAE (Ink on paper). A limited series of 499 prints of each portrait is available for sale. Here is my fifth painting of H.H. Mohammed bin Rashid Al Maktoum صاحب السمو الشيخ محمد بن راشد آل مكتوم (نائب رئيس الدولة – رئيس مجلس الوزراء – حاكم دبي)
Printmaking:Paper on Paper
Artist Produced Limited Edition of:499
Size:19.3 W x 24.4 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Arab Emirates.
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United Arab Emirates
From a deep well of European art tradition, with the noble influence of Bosch, Matthias Grünewald, Albrecht Dürer, Italian Cinquecento and even the contemporary European comic strip, with refinement and measure, I let to permeate me the influence of old masters of the art. None of the fragments of a painting cannot be defended by itself, it receives its full meaning only through the entirety of the painting. That obviously points toward the mythological and allegorical character of painting and artistic method should be taken as a regression into pan-mythological roots of sings, the fact that makes a painting a specific display of by-gone, universal, integral mythology. And really, it is hard to remain indifferent toward courageously dancing compositions of passionate handwriting lead by a bewildering imagination of eternal daydreams and bon vivant of Renaissance time. The only right way is the most difficult traveled.
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