VIEW IN MY ROOM
United Kingdom
Printmaking, Monotype on Paper
Size: 11.8 W x 13.8 H x 0 D in
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The last little set I did towards the Joshua Tree series are from Joshua Tree National Park itself, at Twentynine Palms, and were derived from photographs sent to me by my great friend, and former tutor, Pete Nevin. with ‘JTNP I’ here the reduction monoprint was done with a black that was drying quickly on the gelliplate, and consequently left some desirably scratchy, 'arid' marks. I found with the other Joshua Tree prints that I was enjoying working in negative for both the stencils & masking fluid for the Trees; it seemed fairly obvious to me by then that some negative imagery for the trees here would be a good idea to represent a threatened species. The Cima Dome Fire in August 2020 destroyed over a million trees over a two-day period, a region where the Western Joshua Tree has its highest density of population on the planet. I am now working towards a charity fundraiser/print giveaway this year, to raise awareness and money for the replanting programme in the Mojave National Park, which recommences every November
Printmaking:Monotype on Paper
Original:One-of-a-kind Artwork
Size:11.8 W x 13.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Stewart has been a Printmaker for over 30 years, & was recently selected for the 16th Graphica Creativa Print Triennale where the Jyväskylä Art Museum acquired his work from the exhibition. He also has works in the V&A Museum print collection. He has now been selected for The Woolwich Contemporary Print Fair for the 6th consecutive time, featuring in co-founder Jack Bullen's top 10 picks from the 2022 Fair. He also has had recent appearances at both the RA Summer Show & the National Original Print Show, where he won the Great Art Prize at the latter in 2018 for his screenprint, ‘Alcala’. He is continuing onwards with his Tree Portraits series from his Dartmouth studio, which started over 3 years ago in London, prior to his departure to Devon in late 2020. Initially inspired by the street trees of my neighbourhood (he printed over 100 of these at home in the space of 6 months during the first lockdown.), these moved outwards to the parks and the wilds nearby, quickly becoming a conversation about our lack of connectivity with the natural world. There are now well over 300 monoprints in this collection. This suite of prints has been further informeded by starting a small-scale rewilding project in 2019 close to his Devon home. In the past 12 months Stewart has created large-scale Joshua Tree prints from the Mojave National Preserve that were destroyed by the Cima Dome wildfire of 2020; those of deciduous trees from protected forests local to him at Avon Valley Woods, the print giveaway for which funded the ongoing traditional husbandry/management by The Woodland Trust; and trees from the banks of the Danube in Slovakia, that were photographed for me by fellow artist Eva Boda. Further collaborations with other artists & photographers are ongoing. This series will continue to help raise awareness for protecting our environment, including through donating prints for various progressive conservation & rewilding fundraisers, both in the UK & USA. by the close of 2023, Stewart will have featured in 11 exhibitions, 4 Art magazines & 3 online articles. Stewart was previously a keyholder at East London Printmakers for over a decade, where he was Project Leader of the Mile End/Copperfield Road Studio Build for the move from London Fields/Warburton Road. During my time there he worked exclusively in screenprint, whilst simultaneously working as a media professional in the City.
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