Oceanbirds - An oceanic aesthetic experience VII - Limited Edition of 7 Print

OceanBirds_ Ocean aesthetic experience VII This artwork is part of a series called: "An oceanic aesthetic experience" This project is an ode to nature. Following the artistic tradition of ancestor masters of illustration and painting, emerges a combination of photography, illustration, and painting in one same artwork in final printmaking. The artworks are made on layers of textures of authentic ancient papers, parchments, and original papyri that are added to new forms generated, all of it based on a renewed vision of ecology from the aesthetic experience. The desire to spread the feeling of union with the ocean, animals, and nature in general, guide this project, which bases its premises on new knowledge in the brand new field of neuroaesthetics. In this project, art masters who were inspired by nature are revisited, while paying tribute to them. The newly created imagery seeks to provoke a feeling of calm and "mindfulness" in the viewer. Enabling the aesthetic experience and love towards our ecosystem, by freeing all conceptual judgment is one of the purposes of this series. https://beatrizglezsa.com/aesthetic-experiences#/the-oceanic-aesthetic-experience/ Two masterpieces from Japanese art tradition, one from the European one and another anonymous artwork. The original artworks are layered and combine artistically into the picture: Red Parrot on the Branch of a Tree (ca. 1900) by Ito Jakuchu. Original from The MET Museum Collection. Swallow and Camellia (ca. 1900) illustration by Ito Jakuchu. Original from The MET Museum Collection. Augurkenplant (1898) print in high resolution by Theo van Hoytema. Original from The Rijksmuseum Collection. Furisode with a Myriad of Flying Cranes (1910–1920) by anonymous. Original from The Rijksmuseum Collection. This Fine Art print is the first of a limited edition to 7 gliceé prints with a max. of 1 A. P. (Artist Proof) signed by hand by the artist. Produced using pigmented archival inks and paper (Hahnemühle). Printed with 2cm white handling border in addition to the size stated. Comes with a signed & numbered certificate of authenticity in English (available to choose between English, Spanish or Catalan upon request), to be affixed to the back when framed. With a numbered Hologram on each certificate. Also available as medium and larger editions. (More info at the bottom **) The picture has a feeling of classical panting (Renaissance-Baroque). The artworks are made on layers of textures of authentic ancient papers, parchments, and original papyri are added to the new forms generated. Printed with premium archival inks, on Hahnemühle Photo Rag 308. Paper: Hahnemühle Photo Rag® is one of the world’s most popular papers and the valued all-rounder for high-quality FineArt inkjet printing. +Archival Fine art. 308 gsm, 100% cotton art paper with a smooth surface (wonderfully soft feel) boasts a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. +Museum quality; this acid- and lignin-free classic meets the most exacting requirements for age resistance (Guaranteed by Hahnemühle +100 years). +Fine-grained, smooth surface yields vibrant colors and deep, rich blacks, striking contrasts, and perfect reproduction of detail. +Premium matte coating supports the highest standards for ink density, color gamut, image sharpness. Calcium carbonate buffered with a very low amount of optical brighteners. Limited Edition Prints Medium Size 55x55cm (Limited edition of 30 + 2 A.P) 65x65cm (Limited edition of 30 + 2 A.P) Large Size 80x80cm (Limited edition of 15 + 2 A.P) 110x110cm (Limited edition of 7 + 1 A.P) Esta obra forma parte de la serie: "Una experiencia estética oceánica" Este proyecto es una oda a la naturaleza. Siguiendo la tradición artística de ancestrales maestros/as de la ilustración y la pintura, surge una combinación de fotografía, ilustración y pintura en una única obra. Las obras son realizadas sobre capas de texturas de auténticos papeles, pergaminos y papiros originales antiguos, que se suman a nuevas formas generadas en base a una renovada visión de la ecología desde la experiencia estética. El deseo de difundir el sentimiento de unión con el océano, los animales y la naturaleza en general guian este proyecto, que basa sus premisas en nuevos conocimientos en el novísimo campo de la neuroestética. En este proyecto se revisita, a la vez que se tributa, a los/as maestros/as del arte que se inspiran en la naturaleza. El imaginerío de nueva creación busca provocar un sentimiento de calma y “mindfulness” en el espectador. Posibilitar la experiencia estética y el amor hacia nuestro ecosistema, liberando todo juicio conceptual es una de las finalidades de esta serie. https://beatrizglezsa.com/aesthetic-experiences#/the-oceanic-aesthetic-experience/ Dos obras maestras de la tradición artística japonesa y una europea se superponen y son combinadas artísticamente en la imagen: Red Parrot on the Branch of a Tree (ca. 1900) de Ito Jakuchu. Original del la colección del Museo Metropolitano de Nueva York (MET Museum). Swallow and Camellia (ca. 1900) illustración de Ito Jakuchu. Original del la colección del Museo Metropolitano de Nueva York (MET Museum). Augurkenplant (1898) grabado en alta resolución de Theo van Hoytema. Original de la colección de El Rijksmuseum.

Printmaking:Woodcut on Paper

Artist Produced Limited Edition of:7

Size:43.3 W x 43.3 H x 0 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.