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Visionary Mother - Limited Edition of 10 Print

Richard Arfsten

United States

Printmaking, Monotype on Paper

Size: 16 W x 20 H x 1 D in

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$295

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About The Artwork

For a while I was raised by my grand parents. I was 8 and my grandmother read fortions for her friends in the tea leaves. I suppose her mother must have also been a seer. She told me to "listen to the bird" if you want your life to have a life without a lot of trouble. "What is the bird" I asked. "It is the little voice that talks to you. It will guide you well if you listen to it". i couple of years later I was going past a basesball game and the bird told me to get farther away from the batter. I was 15 feet away and I told the bird I was far enough away. A couple of seconds later the batter swung the bat and let it fly and it hit me in the face breaking my jaw knocking out my front teeth and fracturing my skull. I was lucky I was not killed. After that I listened to the bird and avoided many accidents. Each time I thank my dead grand mother. I think our family that has past gives us warnings if we learn to listen. This picture reminds me of these premonitions. I like to make monotypes and have hundreds of partially finished ideas that I call history pieces saved in many flat files. I photograph them and build compositions from them. After I get my composition made by layering them in Photoshop I have it printed on a special metallic paper that seems to give it depth. So is it a monoprint or a collage or a photograph?

Details & Dimensions

Printmaking:Monotype on Paper

Artist Produced Limited Edition of:10

Size:16 W x 20 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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