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Abhaya Mudra Lila Of The Wat Pho Buddha Sculpture

Steve Brudniak

United States

Sculpture, Lights on Bronze

Size: 33 W x 29 H x 5 D in

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About The Artwork

Electric sparks jump rhythmically between the hands of the figures when the pieces are activated manually or with remote control I was in Bangkok on a 3-month trip to Southeast Asia and India, heading to the Wat Pho temple on a bus where I meet a Buddhist monk who gave me his Japa Mala necklace. I can’t resist wearing it as I enter the wat. The famous 160 foot reclining Buddha lies in its own building, but there are hundreds about; some like the two in these pieces, which I purchased in the gift shop. The sales girl, prompted by the site of my necklace, asked if I would like to meet the master of the wat. We were immediately off and met the old fellow in his dorm. I was given token gifts, and, along with my bronze Buddha’s, a blessing with water. These consecrated Buddha’s (and their Indian playmates) all gesture the Abhaya Mudra hand sign signaling fearlessness. It’s said that the Buddha made the sign at the moment of his enlightenment, later employing it to halt a charging elephant… Incidentally, after continuing on to India and into the Prieyar Tiger Preserve with a friend, we, along with our guide are chased Jurassic Park-style by wild elephants and have to run for our lives. Terrifying… None of us knew the handy mudra and we were stalked into the night. Observations in these temples, jungles and cities fueled some of my greatest soul adjusting moments. Myriad deities, followers and seculars play a vast, multi-cultural game. … My Buddha’s engage with Hindu gods Lakshmi and Ganesh in this ‘Lila’, the game the universe plays with itself by emerging as sentient beings, later returning again to singularity. The Latin plates translate as, “ WE COME FROM THE SOURCE” and “WE RETURN TO THE SOURCE.” Note, the small figurines are boiling out of (or into) the vents in the iron plates. The surreal absurdity yet undeniable palpability of such philosophy, and the synchronicities and unrealities of my Asian odyssey formed the basis for these phantomic iron theaters.

Details & Dimensions

Sculpture:Lights on Bronze

Original:One-of-a-kind Artwork

Size:33 W x 29 H x 5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Steve Brudniak (Born April 9, 1961, Topeka, Kansas) is an American artist known for highly crafted and unusual assemblage sculpture. His art incorporates, often pioneering, unconventional media and scientific elements such as high voltage electricity, Tesla coil technology, magnetic ferrofluid, gyro mechanics, biological preservations, fiber optics, and lasers. Brudniak incorporates disparate found objects in the construction of his art, however the finished pieces do not resemble collage. His assemblages generally give the appearance of being functional machines or ritualistic objects that are indivisibly "of a piece," albeit of indiscernible origin and purpose. Spirituality, psychology, and biology are common themes in his work. In 2008 his Astrogeneris Mementos became the first assemblage sculptures in outer space, taken aboard the International Space Station by entrepreneur and astronaut Richard Garriott. Brudniak spent his elementary and high school years in Houston, Texas. His earliest outlets for artistic expression included writing, acting, music and film projects. In 1981 he opened the Victorian Recording Studio in Houston, recorded and performed in bands, and simultaneously began building his first assemblages. During the 1980s Brudniak was an active member of the Houston Alternative Art scene. In 1988 Brudniak moved to Austin, Texas where he remains committed to his art. He has worked from his Bouldin Creek, Austin, Texas studio for over two decades, producing art that has been exhibited in over 100 gallery and museum exhibitions. Brudniak's work is included in the collections of the San Antonio Museum of Art, the El Paso Museum of Art, The Art Museum of South Texas at Corpus Christi, and The Museum of Fine Arts, Houston. The monograph, The Science of Surrealism - Assemblage Sculpture of Steve Brudniak, was published in 2013 documenting thirty years of the artists career in photos, essays and commentary, edited by Anjali Gupta with a foreword by Guillermo Del Toro. Brudniak remains active in a variety of art mediums including performance, music and filmmaking. He has appeared in documentary productions as well as feature films, most notably Richard Linklater's Waking Life. His latest film project, is Eric Frodsham's More Moments The Go. Shot in Austin, Texas in 2009, Brudniak is co-director and co-producer of the film.

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