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"Autopoiesis I" Outdoor Sculpture

→ Irene Arredondo, Mexico

Sculpture, Modeling of Ceramic

5.7 W x 5.9 H x 3.7 D in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$6,140

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This sculpture is inspired by the concept of autopoiesis, the capacity of a system to generate and organize itself from within. The bust functions as a container of an internal structure that represents the architecture of thought: patterns, tensions, and cognitive frameworks that shape perception. ...

Year Created:

2019

Subject:

Method:

Sculpture, Modeling of Ceramic

Rarity:

One-of-a-kind Artwork

Size:

5.7 W x 5.9 H x 3.7 D in

Ready to Hang:

No

Mounting:

Free-Standing

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

Yes

Delivery Cost:

Shipping is included in price. An agent fee may be required to process the shipment due to Mexico's export policy.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Irene Arredondo

About the Artist

Irene Arredondo

Mexico

Irene Arredondo is a multidisciplinary artist born in Mexico City in 1989, where she lives and works today. Her practice moves between ceramic sculpture, woven tapestry, natural dyeing and photography, and it begins with a simple question, how we inhabit the world and how that shapes the way we relate to one another.

She works in close dialogue with her materials, letting the textures, tones and reliefs that clay, fiber and plant pigments offer guides each piece. From that exchange emerge forms that invite the viewer to shift scale, passing from the intimate to the vast and from the interior to the exterior, and to look at the past as a way of understanding the present.

Her work is rooted in a sensitive attention to nature and to otherness. Rather than asking to be interpreted, it aims to offer a living, reciprocal encounter with the environment, open and unguarded, in which thought give a way to the see a world that is ultimately one.

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