




Sculpture, Assemblage of Wood
15.4 W x 54.3 H x 9.1 D in
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Totemic sculpture of strong presence, a guardian figure radiating archaic and contemporary energy.Totemic sculpture of strong presence, crafted with Carlo Moschella’s personal mixed-media technique. The corroded and stratified surfaces merge earthy tones with luminous signs, evoking the atmosphere o...
Year Created:
2022
Subject:
Styles:
Method:
Method:
Sculpture, Assemblage of Wood
Rarity:
One-of-a-kind Artwork
Size:
15.4 W x 54.3 H x 9.1 D in
Ready to Hang:
No
Mounting:
Free-Standing
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
Yes
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Austria.
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Contact us.Need more information?
Contact us.Carlo Moschella is an Italian-Austrian sculptor based in Baumkirchen, Austria, with his atelier in Innsbruck, Tyrol.
His artistic research explores memory, the sea, material transformation and the idea of the recovered fragment. His works are not conceived as constructed objects, but as presences discovered within matter — where wood, stone, metal, resin, pigments, patinas and reclaimed elements seem to preserve traces of another time.
For many years, Moschella has developed a personal language centered on contemporary totemic and archaeological sculpture. His figures, reliefs and sculptural fragments appear archaic yet contemporary, suspended between memory and invention.
Years spent among harbours, shipyards and the sea have deeply shaped his relationship with materials. Weathering, erosion, corrosion and transformation are not simply surface effects, but part of the identity of the work itself.
Each sculpture changes with light and angle, revealing new faces and presences, as if alive. The material breathes, transmitting a force that goes beyond the photographic image.
Moschella does not follow a category — his work defines its own territory between sculpture, archaeology, ritual presence and contemporary space.
Some works belong to the BAAHANAH series, fragments emerging from the symbolic island of Ingilpur, while other works develop through recurring themes of memory, navigation, relics and totemic forms.
His atelier in Innsbruck, near Ambras Castle, is both a workshop and an exhibition space, an immersive place where art and life merge.
Artist statement: I do not build memory. I bring it back to light.

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