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Conceptual Pan Sculpture

Yucel Donmez

United States

Sculpture, Metal on Steel

Size: 12.6 W x 22.4 H x 1.6 D in

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About The Artwork

Although the adventure of visual arts with canvas continues in me, it has been my high aim in art to add meaning to painting art and carry it to different dimensions. When I made the first painting in the world on snow in 1968, I took a stance against the canvas. I was constantly working on my brain that art should continue in new dimensions. I have tried materials and styles that have not been used much in visual arts until today. This work has come to life as the pans that I use in the kitchen but cannot use anymore turn into art. My pans, which have served me delicious dishes, have now taken on a functional task by caressing my eye taste.

Details & Dimensions

Sculpture:Metal on Steel

Original:One-of-a-kind Artwork

Size:12.6 W x 22.4 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kars-Turkey 1956Yucel Donmez has been continuing his artistic work in Chicago since 1980. He has staged many exhibitions both in Turkey and in the States and was accepted into one of the most influential art encyclopaedias to shape American art history, Who is Who in American Art in 2000. His inclusion in the Biographical Encyclopaedia of American Painters, Sculptors and Engravers of the U.S. in 2002, followed by the Devonports Art Reference encyclopaedia, Dnmez has secured a permanent place in American art history. Yucel Donmez also appears among the 63 artists from Chicago to have entered the renowned art reference book, Art Diary International, published every year by the famous Flash Art magazine in Italy. On Ycel Dnmez paintings Prof. Ismail Tunal(Art Historian)Ycel Dnmez is an artist who has spent many years working in the United States, opening exhibitions in the most select establishments, has become a reputed artist and entered art encyclopaedias. Despite this, he is still considered a foreigner in the United States, because his art is not a product of American culture. Returning to Turkey for this reason, Dnmez aims firstly to begin a new artistic career in his native land and then to take his place in the international art world with his original national identity. This is because the mix of contemporaneity and national-originality is accepted as an important criterion within the value judgements of this arena. We are of the belief that there should be some weight in looking at Ycel Dnmez works of art from this perspective. Ycel Dnmez art lays out in front of our eyes, an unusual, surreal and dramatic world. When we draw a little closer to the paintings, it is possible to see elements belonging to traditional Turkish art forms such as Ottoman calligraphy, Tura (Sultans signatures in Ottoman calligraphy) decorative art, ornamentation and above all ebru (traditional Turkish marbling), weaving together a multicoloured dream-like blanket. But on lifting this blanket, we become aware that we have reached a space of limitless thought and emotion. This designed unreal space is one of forms and experiences brought together by a contemporary abstract interpretation of existence that can stand up against traditional values. Dnmez paintings are part of this understanding of space.

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