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A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.
A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.
A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.
A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.
A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.

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Dome Sculpture

Evgeniia Kazarezova

Slovakia

Sculpture, Clay on Ceramic

Size: 5.5 W x 3.7 H x 5.5 D in

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Originally listed for $610

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ABOUT THE ARTWORK

A wheel-thrown ceramic two-piece vessel. Dome and a cup made from salmon color clay. The dome has rough texture because of small chamotte stones in a clay body. The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for flowers. Stability. Earthiness. Clay. This is a reason why I started ceramics. One of the most ancient materials humans worked with. Liquid, soft, and malleable. Very strong after firing. Clay. Rough textures, unfinished edges, and asymmetrical forms give an opportunity to remind about nature in everyday life with a feeling of simplicity. There is no judgment, social pressure, time limits. Just pureness of the moment. Easiness. Importance. Basic. Reminder about how easy to be just human. I call my vessels plant holders. They always are made to be with plant in it. During the design process, I think a lot about the plant as a symbol of nature. Significance of plants to a human. What feelings object may call. Vessels are beautiful in their delicacy, minimalistic mood, raw textures, and natural colors.

DETAILS AND DIMENSIONS
Sculpture:

Clay on Ceramic

Original:

One-of-a-kind Artwork

Size:

5.5 W x 3.7 H x 5.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ZHENI is a ceramic design studio. Started my professional career as an architect and later as an interior designer, I continue to work with space now by placing my objects in it. Mostly I work with clay as with one of the ancient and natural material human worked with. The perception of the way material got through the thousands of years in different cultures all around the globe gives me a dose of inspiration. Also, I’m inspired by brutalist architecture and contemporary urban and landscape design. Paying attention to relationships between human and nature on the city site, making connections between different natural phenomenas give me an opportunity to achieve unobvious results during the design process. My works may be characterized by the purity of form, naturalness, and minimalism in colors. The design method can be described as a practice-led exploration of harmony between form, texture and natural color of the material to create sculptural and functional objects hand-made and fired in Studio in Bratislava.

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