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¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.
¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.

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EMPATHY Sculpture

Santi Flores

Spain

Sculpture, STAINLEES on Stainless Steel

Size: 17.7 W x 36.6 H x 12.6 D in

Ships in a Crate

SOLD
Originally listed for $2,840

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ABOUT THE ARTWORK

¨EMPATHY¨ is a sculptural group of two characters, in which they themselves see themselves reflected and we can enter into that reflection. This series is created under one of my favorite artistic languages. In it I use stainless steel mainly because I relate this material to the future, to the new. Also the reflection capacity of stainless steel is definitely for this series of sculptures, since it allows observing the sculpture and entering the "game" of seeing oneself reflected in it. How are we? How do we think we are? How do other people see us? How do we think other people see us? . Around this reflection I am creating this series of sculptures.

DETAILS AND DIMENSIONS
Sculpture:

STAINLEES on Stainless Steel

Original:

One-of-a-kind Artwork

Size:

17.7 W x 36.6 H x 12.6 D in

SHIPPING AND RETURNS
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As a plastic artist I move in three lines of work. Figurative, object art and anything that I enjoy. Over the years I have developed a language in which I feel very comfortable. To get here, I have had influence from many artists, mainly Pollock and Basquiat. Pollock's thing may sound crazy, but it was from his work "Pasiphae" that I found the gesture I was looking for and a "raised hand" that is very representative of my work. The object art I use to "tell stories" that may be spinning around my head and that I can not express with my figurative works. Far from these two styles I have another that is to do anything that goes through my head, before it explodes.

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