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Gold Leaf is a mosaic in a frame which dates from approximately 1870/1880. It includes several Victorian dinner plates dating from around the same time. In this work, I have used a variety of golds interspersed and embellishing the main composition. This piece also features a Cloisonné bird and a bone china shoe from the 1980s. Looking at my British heritage, I find that I am fascinated by my culture which is an amalgamation of many that intertwine creating a richness that should be celebrated.

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Gold Leaf Sculpture

Ann Bubis

United Kingdom

Sculpture, Mosaic on Ceramic

Size: 18.1 W x 24 H x 2 D in

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ABOUT THE ARTWORK

Gold Leaf is a mosaic in a frame which dates from approximately 1870/1880. It includes several Victorian dinner plates dating from around the same time. In this work, I have used a variety of golds interspersed and embellishing the main composition. This piece also features a Cloisonné bird and a bone china shoe from the 1980s. Looking at my British heritage, I find that I am fascinated by my culture which is an amalgamation of many that intertwine creating a richness that should be celebrated.

DETAILS AND DIMENSIONS
Sculpture:

Mosaic on Ceramic

Original:

One-of-a-kind Artwork

Size:

18.1 W x 24 H x 2 D in

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Ann Bubis

Ann Bubis

United Kingdom

Ann’s artwork is the creative platform she uses to express her concern for the future of our planet. She is always observing society for this reason, quietly researching as she goes about her daily life, while visiting inspirational London locations like Kew Gardens and the Wellcome Collection, and on her travels to the many galleries and museums in and out of London. Ann's painting is a nod to the beauty and intricate details of nature and the environment which she so appreciates. On some of her canvases, you’ll see the complex folds of roses, stamen reaching upward to soak in the sun, the gentle sweep of colour gradients in petals and their soft unfurling at the edges. Most recently, she has delved into an exploration of abstract art, layered oils on canvas board depicting the rhythms and music of nature. There are two distinct series in this collection. In the cooler blues of the “Rhythmscape Requiem” series, she is creating poetic rhythms that echo across the canvases, symbolising the vulnerability of nature. Dark shadows are softened by light vibrant colours pulsating through them in the movement of the paint. The patterns are inspired by her observation of different tree barks. This was her starting point as she tried to understand the complex structures of a this protective layer that evolves continuously over time. In the series of “Smitten Symmetry”, the vibrant colours jump and crackle in energetic spurts across the canvas to convey Ann’s anguish for the future of the plant world. In juxtaposition to Ann's paintings are her playful, whimsical sculptures. Scouring charity shops for abandoned treasures, she sets about re-creating the past, telling stories and reviving the charm of manmade objects otherwise discarded. This work is inspired by Ann's concern for our environment in a throwaway society as well as an attempt to preserve a small piece of history. Ann has had a distinguished creative career, running a successful animation studio through which she won many awards for her work, culminating in two golds at the New York Film Festival. One of her pieces of sculpture has been displayed in the foyer of London’s Victoria & Albert Museum and she has shown her collections in many exhibitions over the years. She works from her studio by the Thames in Brentford. To read more, see a list of exhibitions and browse Ann's latest work, also visit her website for painting and sculpture and for her mosaic furniture pieces.

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