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Harlequin Sculpture

Ioana Tamas

Netherlands

Sculpture, Ceramic on Ceramic

Size: 8.7 W x 16.1 H x 7.9 D in

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This artwork is not for sale.
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395 Views
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About The Artwork

The sculpture "Harlequin" is one of the characters composing "The Ceramics Theatre" an imaginary world, seen through my eyes. Very much influenced and inspired by my own experience on my road to discovering the world. The concept of the project started from my earlier experiments in ceramics lithography; from new ideas in collages and sketches; and from the experiment about myself changing in a new environment, not to say, a different world. The project is still evolving and constructing itself with time and probably is a project that causes a lifetime involvement. The reason of its open-ended construction is the strong relation between me and my theatre characters, the actors. Some of the characters represent me; others people that I have met and known, or that are around me; yet others are simply creations of my dreams. The theatre as it is now consists of different parts: “Spoken through my fingers”, ”The children of the theatre” and "Strings". "Strings" is strongly influenced by the past actors (naturally) but it depends on much more complicated and deeper characters both in technical approach and in conceptual meaning. The characters are getting closer to a human shape and reveal more symbolism. This part of theatre has more strongly linked to reality. It is an image of control, manipulation and sexuality. For this “play” we need no words or text to describe it – all can be read and understood from the representations of the characters. A strong symbol in these theatrical scenes are the strings that hold some of the puppets: control and manipulation. The appearance of masks and heads indicates confusion. Even if this part of the Theatre has a deceptively gentile and sensitive appearance, it also shows the roughness of femininity and a slight confusion of sexuality. It is a world of obscure lies. The characters are hiding behind their masks while uninhibitedly playing (with) emotions. The dark environment of the scene …. we keep our eyes half-closed and react in denial of what we dislike and/or don't understand. The theatre performance is accompanied by a self-made composition of sounds, noises, music. It stresses and strenghtens the emotions in contact with the characters and creates an intimate relation with the onlooker. The "Harlequin" is inspired as shape, from African sculptures and textile patterns. In this image I represented innocence, femininity, doubt, confussion and mystery. The masks and mirror in the images presented are not available for sale.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:8.7 W x 16.1 H x 7.9 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Biography Ioana Tamas was born in 1988, in Cluj in Romania. It was quickly discovered by her teachers at school, that she was very passionate about drawing and it was suggested she should attend art school. She started her study in the Art College in the same city, age fourteen. In the first year, when she tried out the available departments, she chose to specialize in ceramics. After college she studied at the University of Art and Design, Cluj, where she received her Bachelors and Master's Degrees in ceramics. During her study she undertook two internships abroad, one in Belgium, Liege and one in Turkey, Eskisehir. This helped her broaden her perspective in art and secured her future as an artist. She discovered that her personal experiences have an interesting influence on her work. When she graduated from the University of Arts, Cluj, she moved to The Netherlands. There, she found a very good studio where she could work and develop her skills as an artist and where she found her mentor for the following years. Artist statement My work is mostly figurative with an inclination towards the abstract. Combining the figurative with the abstract alludes to a confusion between reality and illusion. It represents my personal research into human behaviour and psychology. It’s a reflection on the way I see and understand people and I research into body and mind. I mostly create sculptures from clay, but in the last years I began to use more diverse materials like paper, textile, polyester and latex. My development as an artist is based on spontaneity. I do not have a certain path to follow and my work is very much influenced by day-to-day life and can suddenly appear as a vision which I then try to reinterpret as figurative / abstract shapes. I research and experiment with new techniques and materials to have more variety and expression in my work. I search mainly to understand the techniques, but then I find a personal approach in applying them. One of my frequently used techniques is ceramic lithography. With this technique I've better developed my own style, together with the merging of figurative and abstract shapes in clay. I don't use much glaze in my work, only very subtly to accentuate certain details. I use my work to express myself, to communicate and bring awareness to certain subjects.

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