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Juniper Noir enlarged and displayed in a nature setting.
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Juniper Noir Sculpture

Richard Arfsten

United States

Sculpture, Metal on Aluminium

Size: 9 W x 13 H x 5 D in

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$25,750

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Artist Recognition

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About The Artwork

This design could represent a conglomerate corporation. Each element could be a acquisition and show how they all work together to form a formidable successful unit. If this sculpture interests you there is much more on this site. Go to the upper right top and enter "Arfsten sculpture" in the search box to see many styles and themes of my work. Technically this was is the most difficult design I have ever cast. Foundry experts have asked how I did it and do not believe me when I tell them the process. I guess the lesson is if you do not know it is virtually impossible you have a lot more enthusiasm. To be sure dumb luck plays a part. This is precisely why you do not see much art sculpture cast with the evaporative pattern process. Not many artists would take their foam design to a art foundry and be told the risk of success is 1000 to 1. On top of that you are required to pay for an attempt that if failed would loose hours of design time since the pattern is destroyed in the exercise. Theoretically this could be enlarged with flat sheet metal. A lot of work, but some companies that specialize in making metal signage would be able to do it. Basically I am a designer. I do weld but am not capable of enlarging most of my work. That is done by a fabrication shop that has very specialized computer equipment to read the maquette to develop patterns just as a taylor would do. In essence the macquette is a 3 dimensional blue print. That is its value. It is so much more than a sketch on a piece of paper of an idea in someones head. You can lift it up and rotate it at a eye level appropriate to the scale envisioned. This gives an exact representation of of what it would look like if you were walking around it when built. These are architects tools to demonstrate the concept to the client. They can be superimposed thru Photoshop for a accurate rendering on paper of the view from a particular vantage point. Most of these are made of aluminum so the are easy to lift and ship. The fee for my design is a percentage of the total cost to build deliver and install, just like an architect. The macquette can be shipped anywhere and built by a fabricator of the clients choosing. This way the client controls cost along with most of the logistic details. Technically this was is the most difficult design I have ever cast. Foundry experts have asked how I did it and do not believe me when I tell them the process. I guess the lesson is if you do not know it is virtually impossible you have a lot more enthusiasm. To be sure dumb luck plays a part. This is precisely why you do not see much art sculpture cast with the evaporative pattern process. Not many artists would take their foam design to a art foundry and be told the risk of success is 1000 to 1. On top of that you are required to pay for an attempt that if failed would loose hours of design time since the pattern is destroyed in the exercise. Theoretically this could be enlarged with flat sheet metal. A lot of work, but some companies that specialize in making metal signage would be able to do it. Basically I am a designer. I do weld but am not capable of enlarging most of my work. That is done by a fabrication shop that has very specialized computer equipment to read the maquette to develop patterns just as a taylor would do. In essence the macquette is a 3 dimensional blue print. That is its value. It is so much more than a sketch on a piece of paper of an idea in someones head. You can lift it up and rotate it at a eye level appropriate to the scale envisioned. This gives an exact representation of of what it would look like if you were walking around it when built. These are architects tools to demonstrate the concept to the client. They can be superimposed thru Photoshop for a accurate rendering on paper of the view from a particular vantage point. Most of these are made of aluminum so the are easy to lift and ship. The fee for my design is a percentage of the total cost to build deliver and install, just like an architect. The macquette can be shipped anywhere and built by a fabricator of the clients choosing. This way the client controls cost along with most of the logistic details.

Details & Dimensions

Sculpture:Metal on Aluminium

Original:One-of-a-kind Artwork

Size:9 W x 13 H x 5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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