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Lady of the Court, Lady in waiting, Court Lady, carob wood Sculpture
Italy
Sculpture, Wood on Wood
Size: 18.1 W x 53 H x 5.1 D in
Ships in a Box
About The Artwork
Lady of the Court, Lady in waiting, Court Lady, carob wood, 134.5 cm, 2009 abstract sculpture by Antonio Saporito, Italy. Divine feminine wood body giving a display of beauty. Lady of the Court, Lady in waiting, Court Lady, divine feminine sculpture, a wood body that reminds me about our past, when ladies wore their dress, giving a display of beauty, emphasizing the importance of women in the world, which has now lost ..... Contemporary sculpture, abstract nude female sculpture, divine feminine sculpture, wood sculpture, in this case carob wood, modern style, a body subject, an aerial abstract sculpture, patterns of geometric shape women' bodies. Lady of the Court, carob wood Dimensions: 134.5 x 46 x 13 cm 2009 Sculpture 50, n. 12 Antonio Saporito contemporary sculpture artists Sculptures for sale
Details & Dimensions
Sculpture:Wood on Wood
Original:One-of-a-kind Artwork
Size:18.1 W x 53 H x 5.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Contemporary italian artist Antonio Saporito, live in Turin, Italy. His artistic training is influenced by the modern and contemporary figurative art of the 60s by and the masters of Italian Arte Povera. The meeting with Lucio Fontana was particularly significant. The reflection on his work, particularly mark the development of the artistic research of Antonio Saporito. THE GEOMETRIC SPATIALISM The geometric spatialism is the Saporito's original research. Strongly anchored to material, this one, cut, shaped and perforated with surgical and geometric rigor, represents the synthesis of Saporito's art. Steel, aluminum, copper and lead are wisely transformed into labyrinths of carved signs to reveal the beyond there is behind the material. The rigor and the essence that characterize his works become elements to transcend reality, to look and scan what exists behind the appearance, in the continuous search of the unknowable, of the future, of the unreachable mystery of man.
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