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Leper Seer Sculpture

Richard Arfsten

United States

Sculpture, Metal on Bronze

Size: 7 W x 7 H x 6 D in

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$5,550

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About The Artwork

Leper Seer This was modeled to be a fortune teller reading visions in the flames from the fire. It is extremely hard to cast little fingers because the molted metal usually gets hard before it runs to the end of the fingers. This was my first attempt at this type of casting. I listened to the people at the foundry and used their temperature recommendations and their guess was low so the metal got hard before it flowed to the end of the fingers so the fingers were not complete. I tried to weld the missing parts which was really really hard to do. I failed at that too. The foundry people I was working with said to make another wax and start over. My problem was I did not make a mold like they do so if it does not cast properly the plan B is to pour another wax. Molds are made so you can make multiple copies. I only wanted one piece. What now? The good part was I did not have a angry customer biting me. The piece looked like she was a leper. Dah, that was the answer. She was a seer in a leper colony!! Maybe my grandmother was speaking to me from beyond. She used to read fortunes by interpreting tea leaves in the bottom of tea cups. She always told me to listen to the good bird voice. As it turns out this is one of my all time best liked pieces when I show in art galleries. You just never know how problems will turn into gifts from the art gods if you just stand back and let the story tell itself. If this sculpture interests you there is much more on this site. Go to the upper right top and enter "Arfsten sculpture" in the search box to see many styles and themes of my work.

Details & Dimensions

Sculpture:Metal on Bronze

Original:One-of-a-kind Artwork

Size:7 W x 7 H x 6 D in

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I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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